| AOL Keyword: Three quid for half a kronenburg?!?!?! Oh yeah, I'm in an
airport.
Fast!!
This has to be the most rushed psyreviews ever. Ever. Since the last one
anyway.
All a hectic rush before I set off on travels.... TOMORROW!!! arrg. Has
anyone else had that thing where they got an Ipod with way more room than
they could possibly ever use? 40G my ass.
Anyway, no psyreviews while I'm away, i'm afraid, but we'll be back in May.
And what a marathon of musical mushroom mulch we've got folks. The tunes
kept on coming in faster than I could review them, and had promised the
labels I'd get their material sorted out. One latecomer hasnt had a
lookin, for which I apologise, but it's reviewed very briefly here and
will be dwelled on more next time.
PRODUCERS!!!! established or budding. Get in touch for The First Annual
P s y r e v i e w s B o o t l e g C o m p e t i t i o n ! ! ! Yes
folks stay tuned because this is gonna be big. Submit your own bootlegs,
rate other people's bootlegs, and watch as our fine panel from the world
of psytrance (including Nomad, Hujaboy, and Colin OOOD) pick the winner,
which will then get hawked to labels around the world without charge to
get a star in the making.
Please note, these MUST be bootlegs. We've had some submissions of tracks
producers have ... um... produced, yeah thats the word. Which is
interesting of course. But we want Bootlegs. If you don't know whether
your tune's a bootleg or not, then it probably isnt. Apologies to anyone
who i've not responded to yet, as things have been hectic... the music
will be collated and sent out in MAY when psyreviews comes back to the UK.
Info and instructions: http://www.psyreviews.com/bootlegs
Another quick plug: latest mix is now available at
http://www.psyreviews.com/damion/thatfuckinglampismelting.mp3. Tracklist
is in the comedy section, as I aint got time to push it up onto the web.
See, you could right-click and have it saving now, then by the time you're
done reading this you can listen to it. Then delete it. Then wish you
hadnt etc.
Cheers one and all, enjoy yourselves, and I'll be back in May =)
Damion
VA
Mushy Mystery
Trishula (Germany)
I must apologise to everyone concerned here, just not enough time to
review this one. I'm utterly sold on Trishula's sound, and have been
caning this over the last few days. There'll be a proper review on it when
i get back... but high points include Mubali's Shake Lasta, Derango's
mindblowing Implosions and Mushy Mystery (which, when combined, should
carry a Surgeon General's warning) and Psyfactor's insane Spawn Of Satan.
Also very excited by Darkpsy's stuff, and want to hear more, likewise
Kemic-Al. Trishula have carved themselves a wonderful niche in dark, hard
psytrance and the style is already so distinguished. Definitely look
forward to more, and if this style floats your boat then it's absolutely
essential. It's going to be making my ipod crap itself while I'm on that
plane =)
9
Lish
Freefall
Compact (Israel)
If you're familiar with Lish's earlier output, prepare for a departure
from their previous gnarlier vibe. It's headed more in a morning
progressive trance direction, with touches of sunshine fullon, which some
will be disappointed by. Sea Side Hills kicks things off sounding a little
like a more tribal son kite. Smooth 130bpm runs are layered nicely, with a
groove that just bumbles along deliriously well. Fat breaks in the middle,
and then a glorious launch out into proper-job daylight progressive. Up
next is Outsiders, and I really love this one, every bit as warm and
characteristic as freq's warmest, most memorable work. The gentle melodies
fit well together, and they don't get too over the top, which is just what
you want to coax people back into dancing in the morning. The BPMs are
picking up with Sunday Muse and, for me, this one sounds a lot better
bitched down to the lower 130's like the two preceeding tracks. Whatever,
it layers nicely and has some gorgeous moments once
again. The groove is subtle and infectious, only really marred by the
final section's over-reliance on quite a dodgy chord pattern. Life Stream
hits a bit of a boundary. Sounds right from the off like it's going to be
more fullon, and it sort of straddles the progressive with a kind of
light, tecchy fullon. It works, but the chord changes at the end will
again most likely dictate when and where you play this. More melodic still
with On The Edge, more euphoric-cum-mellow fullon. Evidently talented in
the ways he morphs the sounds and makes the melodies rise; but the
melodies themselves are rather saccharine, and it comes off as
sub-Protoculture. On to Time, and by now we're up over 140bpms and the
music's sounding more and more like normal fullon. Samples give way to
snare rolls and peaks, the melodies and chords shift underneath, and
things turn very euphoric to the point that I'd bet the farm that at least
one of Lish got a new girlfriend between his last album and this. Fresh is
led by a vocal, which isn't too bad, but it's not for the dancefloor.
Moves well, the vocal itself isn't too bad (reminds me of Olive's Your Not
Alone), but I pity the DJ who slips track 7 on out of habit with this one.
Blue is a nice slomo (90bpm) setdown, breakbeaty but not too dublike or
generic of other token chillage tunes stuck on the end of albums. And
finally, bonus track, a remix of Slow Me Away, best filed under
massive-breakdown-huge-drop-big-big-big-israeli; more accurately, a pretty
good example thereof. All in all this is a likeable album; it flows well
from its (brilliant) earlier progressive moments, and makes sense with
every next-step. Some of the melodies and chord changes are a bit iffy,
but by and large it works where a lot of other stuff fails. End of.
8
Tripswitch
Circuit Breaker
LSD (UK)
Welcome, welcome, welcome. To one of the finest chillout albums ever
recorded. To the first genuinely essential chilled release of 2005. To the
first signs that summer may be on the way, that there's a chance we can
all hang out in fields drinking rapidly-warming beer out of plastic cups
while staring up at the clouds and winking at a cute hippy of the opposite
sex. The title Circuit Breaker may be a bit of a misnomer, as there's
little semblance here of any sort of tecchy, electronic vibe; for the most
part the imagery is of vast rolling landscapes, sunshine over swaying
cornfields, and general breezy summertime hammock action. Opening up with
awesome dub, it finds its feet with Indigo, almost nine minutes of
ultrasmooth global downbeat trance that's dazzlingly accomplished. Nick
Tripswitch's evident musician-ship-ness-thing is all over the place,
adding another dimension to tracks such as Roll Your Own and Viscous,
coming together beautifully on Cartwheel: one of those tunes that
makes you remember why being alive can be so damn fun and so damn
gorgeous. It's easy-going and good-natured, and reminds me of those long
open plains they used to have in the Huckleberry Finn TV show; the
soundtrack to a misspent, innocent summertime. Silver has been around a
bit, and this new remix ups the ante and polishes off that sheen, giving
it a wonderful 90bpm dubby 4-4 that makes me wish it was sunset at Turaya.
Music comes together and hangs on by a silver thread on Tomahna, with more
layers going on that you can shake a stick at, but never sounding
imbalanced or rushed. And when it finally all comes together on the vast
Deer Park, the rushes are heading up and down your spine like nobody's
business. Perfect beats, great layering, all coming together perfectly.
Wow. Tripswitch will be playing at this year's Omni, Sonica and Glade
festivals and on the strength of this he could well be a resounding
highlight of all three. If you want to spend a tenner coaxing the su
mmer to
come out of its shell (and let's face it, who doesn't) then buy this.
Outstanding.
10
VA
Booo
Doof (Israel)
The crunchy underbelly of Israel mooches forth again, this week giving us
an excellent antidote to the more "Israeli" trance from that country. And
who better to mark the start of this than Bonky, whose Thanks Tim may not
be one of his best but still escalates in a deliriously eerie way, picking
up sounds you never thought were actually there and swirling them all
together. Cactus' Logitech had me bouncing about my luxury poolside 8th
floor penthouse apartment like nobody's business, it's a tune that's
simultaneously hilarious and terrifying, with some great Leary samples
polishing it all off. It scratches its way around a circular groove, and
all of a sudden you remember why they call this music psychedelic. Zirkin
& Zebra'N's The G Word is wonderful, a barrage of screeches and stutters
and oh-my-god's, one of my favourite samples of all time, and a thoroughly
messy climax. Quasar pop up with Kami Kami, which it loses its ground a
little, but if the mission is to unbalance t
he
dancefloor then it's accomplished nicely. They do better with Hoffman
Overdrive, that does exactly what it says on the tin. It's huge, it's
hilarious, and the way it picks up energy then flings it all at the
ceiling is pure class. Love it. Blisargon Demogorgon vs Encephalopaticys
I've probably spelled wrong (not to worry - some trainspotter will point
it out to me), but their Isometric Constitution is funky as hell. Plenty
of changes, with a bassline that refuses to sit still, an edgy topend
driving it all long, and a general clattering vibe all the way along.
Entropy's Escape is awesome, it's been a while since I heard something
that just whacked me as a belter from the first ten seconds, but this one
does. The pace (142) isn't too intense, it sits there nicely with a
wiggle. Gradually building up, taking the odd wrong turn here and there,
and when it finally all comes together, the energy in there is
unquestionably bangin'. Double REL closes with two tracks, Decrypted Sound
which has a baggy, sideways groove to it and doesn't really excel in the way
that Double REL can. Prehysterical Moment is much more fun, with seemingly
dozens of false-starts and false-stops, with the morphing bassline pinning
together neat lines and cuts across the top. Overall, some very tasty
stuff on this CD, not quite for my money up there with recent Doof release
Forest. However if you need a fix of their brand of demonic outdoor funk,
then this should satisfy you neatly enough.
7
Orion
Futuristic Poetry
Avatar (Israel)
Originally released in 1997 on Symbiosis records, this reissue puzzled me
a bit. Back then, Orion was Jean Borelli and Mino Vaknin, who since left
and it's only (fairly) recently that Jean's come back with more output
under the Orion name. Still, when this arrived I stuck it into my discman
and stomped on into town, and was amazed - the production here hasn't aged
a bit, and I'm wondering if this ever sounded this good back then as well?
My guess is it did. I missed it the first time round and wish I hadn't,
and while it's not up there with the Hallucinogens and Juno Reactors and
Cosmosis-es-s-s of this world, it sits pretty well in your collection.
Nazca Spider is gorgeously kaleidoscopic, taking you straight out into a
musical field; Rooster is an epic, ever-twisting tunnel of UV and pills
that are much better than they are these days... Funkadelic, dripped in
lysergic treacle, Caracol's analogue blancmange still sounds great now and
Akeru's midsection is jaw-dropping, while
its end section reminds you that it didn't just used to be all about peaks and
drops and another peak. Elysium's remix of The Source, and the 120bpm
Highway sound more dated, but you can't fault the ideas and the excitement
that went in here. Tacked on at the end is 1999's The 8th, which sees the
boys head into more swirly, menacing territory, with perhaps some of the
greatest energy ever seen in electronic psychedelic music. Futuristic
Poetry is, then, a nice reissue made all the more significant because it's
a less obvious candidate than some other albums of its era. The production
will dazzle you, the even and glassy sounds will delight you, and the
music itself will make you impressed and depressed at the same time, as
you wonder where all that oldskool excitement's gone.
8
Electro Sun
Pure Blue
Trancelucent (Israel)
Crikey. You think you've heard big melodies, and then this. Clearly one to
avoid if you're Azax Syndrom's mum, this is all about massive - and I mean
massive - melodies. And I mean melodies. Title track Pure Blue opens out
fast and pacey, and it's not long before it starts taking you up on its
ride. Very rollercoastery, in an almost ibizan way, with ups and downs
with every peak feeling bigger than the last. Sundance is all about
massive melodies, big sounds, clean sounds, in fact if we're being honest,
then "gorgeous sounds". It's able stuff, if a little over the top. The
break is good, the drop is big, and while yes it's very melody-centric,
you simply cannot doubt the effectiveness and movement of this one. I've
Got The Power is more electro, very fluid melodies in this and with
filters aplenty. Another big tune with a very MDMA-friendly couple of
drops n' rushes. With Fucking Music, we're talking bigger melodies: an
almost epic, cinematic thing going on here. The groove s
hifts
from the kinda neo-infected / sub6 shuffled feel to a more fluid vibe.
Stretch is relentlessly pacey (145bpm but sounds faster) and sounds like
some abhorrent nightmare involving a bag of pills, miscellaneous white
powder, and a blowjob in the toilets, all at gatecrasher. Vanilla was on
the recent Cyberdelica compilation; and while it didn't stand out on there
it almost does on here. And until the day when a guitar in a track finally
clears the floor, stuff like this will probably do the business. In My
Dream (Album Edit) is possibly the most gay piece of music I have heard
all year. I don't mean "gay" in a derogatory sense; and it pissed me off
that people do this, mostly on message boards but back to the point: the
melodies here are huge, the bass is unbelievably pumping, there's stock
house samples going "ahh yeah!!" and suchlike... all wrapped up at 145bpm.
"Gay" is not derogatory here, it's descriptive: this has more in common
with Mardi gras amyl NRG house than with psytrance;
push the BPMs up to 150 and see what I mean. On Momento, he's
(thankfully) toned it down some, letting the melodies develop more by
themselves, but it still sounds like protoculture in a china shop. Finally
Super Nova would probably be a pretty decent tune in its own right, but
after whats come before it it just sounds rehashed. The CD gatefold cover
thing has got a dirty great big "E" in the middle of it, with no less than
seven other "E"s hidden in the artwork. This may suggest the state you
need to be in before this CD starts to take on any significance. As
uplifting/NRG/hard/trance this is pretty good, but please don't try and
tell us it's psy. This is about as psychedelic as going to the shops.
5
Tegma
002 Avant Garde
CandyFlip (Greece)
A new album from these boys is long overdue, and big up to Candyflip for
getting in there and releasing it. The vibe here is very different to what
you may have expected, likewise different to pretty much anything else out
there that could be competing for your money. The album moves through
bouncy and melodic progressive, through to darker and crunchier nighttime
moments, and then back out the other side. Eternal Sleep opens out
smoothly and synchs into a Vangelis-like sequence. Vangelis. Very
Vangelis. Modern Movement is magnetic as hell, and the midsection explodes
into this big melody, sounding like a genetic hybrid mutant of something
Son Kite had a nightmare about. It's sort of gnarly, sort of uplifting,
sort of fullon... and the overall effect is to throw legions of energy out
at you. Myth Of An Angel moves well, but the euro-ey synth lines will put
some people off this one. It's a good high-end, but it's *very* high, if
that makes any sense; likewise Thunderblade, whose
bubbly groove serves to hold the attention and vibe nicely enough. X-Istanz sees
the melodic side burst through to the full, melodies definitely win the
battle. Then on into the next phase, and Trapped In A Hypercube is
instantly much deeper. And bloody good actually. Lower-set groove, a more
bendy midrange, all works very well, and with a nice magnetism about it.
Conscious Minds I love, it has an awesome gnarly groove, thundering around
in the lower regions. Midrange sweeps and vocal cutups move around the
middle in a way that reminds me of Hallucinogen's Spiritual Antiseptic
(not sure why). Clock Next Door brings the themes together, and does so
somewhat messily, with quite a large melodic lead that seems to detract
from the (interesting) stuff that's going on lower down. Finally
Irrational Impulses is all about hooks: the bass pumps along, the topend
grabs you and is very euro-ey... opens up into some great stabs in the
midrange, carrying it out into a cute, euphoria-friendly rush
y
finale. For me, Tegma work best when they're building a darker pattern,
morphing it along and getting all cinematic with it. The fluffier moments
are good, and would definitely do the business at the right time.
7
Various
Fahrenheit Project 5
Ultimae (France)
The kings of fluid, seamless chillout are back and on the strength of this
it looks like they're setting up 2005 to be another great year for the
Ultimae stable. Jaia's Along opens more with feelings and movements than
with sounds, with plenty going on in the sub region. Beats drop at about
five minutes in, and sound wonderful before it all fades away into Water
Silence from the perma-loveable Solar Fields. Deep escalation here folks,
winding its way unhurriedly up into one of the most sublime peaks of
chilled dance music I have ever heard. Layer upon layer comes in and
whisks you upwards, and carefully sets you down again. Aural Planet's
Sunfruits Avenue is blissful, the energy here moves and soothes like
nothing else, and does so with an expert air about it like a master healer
or something. Very good chillout, anyway. AES Dana take a step into 4-4
with the 110bpm Purple which disconcerts you nicely before HUVA Network
step up with Processing Lights: a dreamy, semi-junglist
brokenbeat soother of a tune, yup we like. Cell's Blue Embers is a
90bpm's of tasty mctasty chillage that flirts with incredibly deep bass,
Great Leap Forward pull a blinder with In The Name OF The Super Natural.
Carbon Based Lifeforms opt for a fairly brooding, atmospheric tune with
T-Rex Echoes, which builds into a wickedly acidic bit of hip-hop trance.
Hol Baumann's Final has a gorgeous guitar at the centre of fatclatter
beats and rising synths, and the beatless bliss of Sync24's nocturnal
lullaby Wake brings things to a floaty close. Being Ultimae, you really
can't go wrong, and this sounds just as good as the best of their stuff
for when you need a crystalline, mood-shifting chill pill.
8
Oforia
Headed for Infinity
BNE (Israel)
It's often complained that so much psytrance these days is throwaway pap,
mostly devoid of ideas, with the music coming together more by luck than
by judgement. Step forth Oforia, previously let's not forget one half of
the wonderful Indoor with Avi Space Cat, with one of the most instantly
forgettable albums in quite a long while. Forthcoming single Northern
Lights opens up nicely enough, has a great clean sound to it and plenty of
movement in a fairly standard bassline. Builds and peaks well, with noises
moving around giving fluidity, then a f*ing guitar comes in, immediately
rendering it devoid of any imagination it may have briefly postured on the
way up. Beams Of The Light has nice acidy twangs bracket a wiggly up/down
sort of groove, goes into a nice peak then it's right down into the
depths, with wibbles coming in that sound a little detuned, nice effect
but might throw a ketamine dancefloor off to a corner to be sick (which
could be a good thing). Fine, but too short:
there's more life in the pattern he set up here. And if you're messing about with
detuned noises, why not mess around with the intro/build/peak/break/etc
routine? Headed For Infinity is, let's be fair, where it all works on this
album. A nice electroey sound to it, the clean sounds are pure yazoo and
the way the rough acid line contrasts with it, but still has a screechy
naivety to it, works well. The acid moves perfectly, and while it loses
its cool towards the end but you can't fault the big energy at that drop.
Oh that this level of excitement would now be maintained. High Gear is
kind of unbalanced, a cycling hoovery midsection over some plinks, and
breaks and turns that you can smell coming a mile off. Anti Gravity sees a
tasty mix of styles on the way up, but it all falls apart with the guitar
and a "turn up de riddim" sample that goes to a messy and anticlimactic
drop, with a final run that's not just starved of ideas, it's suffering
from long term malnutrition. Serious is nice enough, a groove that
reminds me of Stakker's Humanoid. Builds up tension
and energy nicely, into a break that sort of collapses into itself. It
then slides in smoothly, picking up a gorgeous midrange synth that glides
it along nicely. To be picky, the way the same old noises from before come
back in is a little clumsy, and it's clear that this isn't going to take
you anywhere new, but this is good material for holding the dancefloor's
attention and giving them something to get vaguely tingly about. Machines
Job is devoid of magic, the guitar plugin crept in under the door again,
the bassline's dull... Cyber Hiker is best described as a clunky anthem, a
few nice spots but this one will clear the dancefloor faster than a fart
from your grandparents' dog. Finally Substance sees a glimmer of the big,
morning melodic Oforia we've known before, but it's all sadly lost the
sheen. When you look back across the whole album, there's really little to
say. Two tunes - the title track and
, to a
lesser extent, Serious - work but that's just not enough to carry the
album, especially when the other seven tracks are pale imitations thereof,
using the same sounds and identical patterns.
4
Various
Retrodelic Vibes 2
Avatar (Israel)
We all know someone who bemoans at every opportunity how it's not as good
as it used to be. How the music then was better, the parties were better,
the drugs were better (actually, let's let that one stay.) And these
people, instead of doing the decent thing and retiring from the "scene",
getting that scholarship to Cambridge to study medicine or whatever, they
insist on hanging around and spoiling it for everyone else who quite likes
what goes on more recently as well. Now, finally, they can put their money
where their mouth is (normally their mouth is a few inches away from their
backside) and check this, a collection going back donkeys and bringing in
labels including Dragonfly, Psy Harmonics, Spirit Zone, Aurinko, and other
reminders of fluoro-tastic days.... Initially my point here was that the
music was so dated that this album's a flight of fancy, a cute little
picture at what we used to get up to. But on reflection, the music's....
it's.... it's f*ing GOOD. Yes maybe it is
complete
nostalgia, maybe the novelty on hearing these again will wear off soon,
and yes maybe I only happen to be enjoying these so much because my old
tunes all happen to be in storage still, from when I went away last year.
I mean, the CD cover even has temples and that on it!! And mandala
things!! And photos!! From "back" "in" "the" "day". Anyway. I guess my
conclusion is what you knew already before you started reading this review
- if you've got this stuff on record and want it on CD, if you want a
blast of older sounds to temper all the new stuff you've been buying, or
if you just want to pretend you were "there" before goa got "commercial",
then check it out. But with Doof, Electric Universe, Joti, Psychaos, MWNN,
Space Tribe, Kopfuss and Tim Shuldt it's a very well-sourced collection.
What the hell, it's good. And it saves hanging out on ebay for someone to
flog their old copies of Distance To Goa or whatever.
7
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---------------------------------
The Reviews
Ten point. One point am shit, ten point am good.
Five point am average.
When a CD arrives, before it's even been ripped out the packagin in a
rabid frenzy, it gets five out of ten. This is an average mark -- not like
other places who will give an average of seven out of ten for anything
that comes in. I mean seriously, this annoys the hell out of me -- your
average review on some places online will go "all in all an average
release with no really amazing tracks on it. I give it 7.5 out of 10"
What? Par the f*ck don???
Anyway starting out at the flat boring score of five out of ten, the CD
then has the chance to either thoroughly impress us, or to thoroughly
depress us. Thereby affecting its score. And if we make you laugh, it was
purely intentional.
Hype us up -=- psyreviews @ btinternet.com
---------------------------------
Retail
We do get asked a lot about where these releases are buyable. And
generally your best bet is to checkout the major online stores. We
recommend (and this is based purely on past experiences as being
customers, and not because they supply us with anything other than top
notch service) Chaos Unlimited and Saiko Sounds. Both can ship worldwide,
both offer competitive pricing, and both have good delivery times for
anywhere on the planet.
Chillage and suchlike can be procured from the delightful couple at
Mezzanine Dream (mezzaninedream @ hotmail.com). You may have seen these guys
with their stalls at UK festivals, and if there's anything in particular
you're having trouble getting, these chums are eerily good at obtaining it.
Clothing-wise, the wicked range of Turbotrance clothing is available from
www.turbotrance.com. No online payments yet, but you can pay from anywhere
in the world via lovely Paypal and with quality items and shashing
service, psyreviews recommends it thoroughly. And no, we did not get
anything free from them for saying this =)
---------------------------------
Community
Couple of forums n' sites worth mentioning...
www.australiens.net -- Australia, with a slight sydney bias
www.oztrance.com -- it's dead. it's alive. it's dead. it's alive. it's
dead. it's alive.
www.doofcentral.com -- the only site you need for anything going on in oz,
particularly melbourne
www.adbusters.org -- you probably know it already, but if not then its a
great canadian resource for consumo-activism (or whatever one should call
it). Used to be able to buy the magazine in Compendium in Camden, till it
got shut down : /
www.papercdcase.com -- clever, lets you make a cd case out of one sheet of
paper. great for sending DJ mixes out to people who will probably throw
them in the bin.
Stalkers' Corner...
Moving all about the place. You know where.
If you need to reach me then you'll know how =)
Looking like....
Wizzy Noise & Lish in Osaka, April 2
Oztrance Fundraiser Melbourne April 8/9
Midweek Messiness Darook, Melbourne, April 20
Promoters are reminded that it's much better booking a funny c*nt than
someone with unreleased records. Even though i now have some unreleased
records after giving a blowjob to a certain label owner in the toilets at
a Melbourne club. Not really. psyreviews @ btinternet.com :¬)
OTHERWISE...
Use psyreviews to say what you have to say. If you're looking for
anything, or anyone, chances are we can either help, or pretend to help
then disappear. or something. Anyway, this is a resource so use it dont
abuse it buy time don't lose it. Etc. psyreviews @ btinternet.com with your
woes.
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