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Syndicated Headlines

Pixelord
Nearly two years have passed since XLR8R published an extensive feature digging into the country's rapidly expanding electronic music scene. Since then, this growth has only intensified, and Russia's leading producers continue to knock on the door of more widespread recognition. Although the enormous nation is home to a countless number of talented producers, when it comes to beats and bass, there's little question that Pixelord (a.k.a. Alexey Devyanin) sits at the top of the list. He's previously released music via Leisure System, Error Broadcast, Car Crash Set, and Civil Music, and his stewardship of the Hyperboloid label has made the imprint into an essential hub for forward Russian sounds. On July 28, Pixelord's latest EP, Polygon Fane, will be issued via Infinite Machine, so the time felt right to invite Devyanin to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Pixelord
Nearly two years have passed since XLR8R published an extensive feature digging into the country's rapidly expanding electronic music scene. Since then, this growth has only intensified, and Russia's leading producers continue to knock on the door of more widespread recognition. Although the enormous nation is home to a countless number of talented producers, when it comes to beats and bass, there's little question that Pixelord (a.k.a. Alexey Devyanin) sits at the top of the list. He's previously released music via Leisure System, Error Broadcast, Car Crash Set, and Civil Music, and his stewardship of the Hyperboloid label has made the imprint into an essential hub for forward Russian sounds. On July 28, Pixelord's latest EP, Polygon Fane, will be issued via Infinite Machine, so the time felt right to invite Devyanin to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Fracture
After nearly a decade in dance music purgatory, drum & bass and jungle have gradually worked their way back into the spotlight. Throughout this process, few labels have proven more reliable than dBridge's Exit Records, and the imprint's latest offering, the Loving Touch EP, comes from Fracture (a.k.a. Charlie Fieber), a veteran UK producer who also heads up a quality imprint of his own, Astrophonica, with partner and frequent collaborator Neptune. On the record's title track, Fracture flips Ralphi Rosario's and Xavier Gold's house classic "You Used to Hold Me" into a hyperkinetic piece of drum & bass, while the remainder of the EP finds him working bits of footwork, grime, hip-hop, and dubstep into a jungle template. On a basic level, this sort of hybridization and creativity is at least partially responsible for the revitalization of drum & bass, and hearing these tunes left us curious about how the approach would work in an elongated format. As such, we invited Fracture to put together an exclus
(xlr8r podcasts)


Fracture
After nearly a decade in dance music purgatory, drum & bass and jungle have gradually worked their way back into the spotlight. Throughout this process, few labels have proven more reliable than dBridge's Exit Records, and the imprint's latest offering, the Loving Touch EP, comes from Fracture (a.k.a. Charlie Fieber), a veteran UK producer who also heads up a quality imprint of his own, Astrophonica, with partner and frequent collaborator Neptune. On the record's title track, Fracture flips Ralphi Rosario's and Xavier Gold's house classic "You Used to Hold Me" into a hyperkinetic piece of drum & bass, while the remainder of the EP finds him working bits of footwork, grime, hip-hop, and dubstep into a jungle template. On a basic level, this sort of hybridization and creativity is at least partially responsible for the revitalization of drum & bass, and hearing these tunes left us curious about how the approach would work in an elongated format. As such, we invited Fracture to put together an exclus
(xlr8r podcasts)


Willie Burns
Despite his notably low-key persona, William T. Burnett isn't someone who keeps quiet when it comes to making music. The Texas-born, Brooklyn-based producer initially established himself in the early-'00s NYC club scene under the name Speculator, and later began releasing records with a different alias, Grackle, via Legowelt's Strange Life Records. However, it was the introduction of a new, house-focused moniker, Willie Burns, that really seemed to light a fire under Burnett. Since the first Willie Burns record appeared in 2011, he's kept up a blistering pace, adding new aliases (Black Deer, Phobian) while issuing tracks via labels like L.I.E.S., Crme Organization, The Trilogy Tapes, and Not Not Fun. Burnett also heads up his own label, W.T. Records, works at famed Brooklyn record depot The Thing, and holds down a weekly show at Newtown Radio. As if that wasn't enough, he's also managed to maintain an avid passion for collaboration, partnering with the likes of Eliot Lipp (as Galaxy Toobin'), Legowelt (as Sma
(xlr8r podcasts)


Submerse
Back in 2011, we profiled Submerse (a.k.a. Rob Orme) in one of our Bubblin' features (the series is now called Bubblin' Up), and our write-up described his music as "something like Play-era Moby making 2-step." In the years that have followed, we've kept tabs on the UK producer, charting his musical evolution as he temporarily relocated to Japan"he's now back in London"and gradually moved away from the garage and bassline tendencies of his early output. That said, we certainly weren't prepared for the hazy, hip-hop-leaning sounds that populate his forthcoming debut full-length, Slow Waves. Scheduled for release on July 28 via the Project: Mooncircle label, the album hews closer to the sun-kissed sounds of the West Coast beat scene than the neon skylines of Tokyo or the cloudy horizons of the UK, and it's undoubtedly the most accomplished thing Submerse has produced to date. As such, we felt the time was right to give the man some room to operate, and invited him to put together an exclusive mix for the XLR8R
(xlr8r podcasts)


Submerse
Back in 2011, we profiled Submerse (a.k.a. Rob Orme) in one of our Bubblin' features (the series is now called Bubblin' Up), and our write-up described his music as "something like Play-era Moby making 2-step." In the years that have followed, we've kept tabs on the UK producer, charting his musical evolution as he temporarily relocated to Japan"he's now back in London"and gradually moved away from the garage and bassline tendencies of his early output. That said, we certainly weren't prepared for the hazy, hip-hop-leaning sounds that populate his forthcoming debut full-length, Slow Waves. Scheduled for release on July 28 via the Project: Mooncircle label, the album hews closer to the sun-kissed sounds of the West Coast beat scene than the neon skylines of Tokyo or the cloudy horizons of the UK, and it's undoubtedly the most accomplished thing Submerse has produced to date. As such, we felt the time was right to give the man some room to operate, and invited him to put together an exclusive mix for the XLR8R
(xlr8r podcasts)


Willie Burns
Despite his notably low-key persona, William T. Burnett isn't someone who keeps quiet when it comes to making music. The Texas-born, Brooklyn-based producer initially established himself in the early-'00s NYC club scene under the name Speculator, and later began releasing records with a different alias, Grackle, via Legowelt's Strange Life Records. However, it was the introduction of a new, house-focused moniker, Willie Burns, that really seemed to light a fire under Burnett. Since the first Willie Burns record appeared in 2011, he's kept up a blistering pace, adding new aliases (Black Deer, Phobian) while issuing tracks via labels like L.I.E.S., Crme Organization, The Trilogy Tapes, and Not Not Fun. Burnett also heads up his own label, W.T. Records, works at famed Brooklyn record depot The Thing, and holds down a weekly show at Newtown Radio. As if that wasn't enough, he's also managed to maintain an avid passion for collaboration, partnering with the likes of Eliot Lipp (as Galaxy Toobin'), Legowelt (as Sma
(xlr8r podcasts)


Karizma
Even though he's been releasing records for nearly two decades (and DJing for more than three), it still feels like Karizma (a.k.a. Chris Clayton) is something of a mystery. Operating out of his home base in Baltimore, the well-respected artist"who is also known as Kaytronik and simply K2"has dabbled in a variety of sounds over the years, including excursions into jazz, hip-hop, and broken beat, but it's Clayton's hypnotically soulful, drum-laden house constructions that have truly defined his catalog. Suitable for a big room, but scuzzy enough for a basement, Karizma's tunes cut across the electronic spectrum, and sound especially potent in his own hands, as his prowess in the DJ booth"especially with a pair of CDJs"has become legendary. Next month, he'll be releasing his latest offering, the Beats & Bobs Vol. 1 EP, via longtime label home R2 Records; ahead of that, he's also put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Jokers of the Scene
Jokers of the Scene isn't a new outfit"the Toronto pair has been remixing and releasing records since 2006"but until recently, the duo of Linus Booth and Chris Macintyre hadn't truly managed to distinguish itself. Despite the group's varied output, Jokers of the Scene often felt inextricably tied to the late-'00s bloghouse circuit, most likely due to the project's long-standing affiliation with the Fool's Gold imprint. As such, we were pleasantly surprised when the duo offered up End Scene, its first full-length, a few weeks back. The album, released by Throne of Kanada (a joint effort between the Throne of Blood and New Kanada labels) finds the JOTS boys significantly widening their musical palette, as the LP includes sophisticated nods toward classic house and techno, ambient music, and even some '80s pop. At its core, End Scene is a remarkably sophisticated listen, and one that gave us confidence that Booth and Macintyre were more than capable of putting together a quality mix for the XLR8R podcast series.
(xlr8r podcasts)


Karizma
Even though he's been releasing records for nearly two decades (and DJing for more than three), it still feels like Karizma (a.k.a. Chris Clayton) is something of a mystery. Operating out of his home base in Baltimore, the well-respected artist"who is also known as Kaytronik and simply K2"has dabbled in a variety of sounds over the years, including excursions into jazz, hip-hop, and broken beat, but it's Clayton's hypnotically soulful, drum-laden house constructions that have truly defined his catalog. Suitable for a big room, but scuzzy enough for a basement, Karizma's tunes cut across the electronic spectrum, and sound especially potent in his own hands, as his prowess in the DJ booth"especially with a pair of CDJs"has become legendary. Next month, he'll be releasing his latest offering, the Beats & Bobs Vol. 1 EP, via longtime label home R2 Records; ahead of that, he's also put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Jokers of the Scene
Jokers of the Scene isn't a new outfit"the Toronto pair has been remixing and releasing records since 2006"but until recently, the duo of Linus Booth and Chris Macintyre hadn't truly managed to distinguish itself. Despite the group's varied output, Jokers of the Scene often felt inextricably tied to the late-'00s bloghouse circuit, most likely due to the project's long-standing affiliation with the Fool's Gold imprint. As such, we were pleasantly surprised when the duo offered up End Scene, its first full-length, a few weeks back. The album, released by Throne of Kanada (a joint effort between the Throne of Blood and New Kanada labels) finds the JOTS boys significantly widening their musical palette, as the LP includes sophisticated nods toward classic house and techno, ambient music, and even some '80s pop. At its core, End Scene is a remarkably sophisticated listen, and one that gave us confidence that Booth and Macintyre were more than capable of putting together a quality mix for the XLR8R podcast series.
(xlr8r podcasts)


Funkineven
Funkineven first surfaced in 2009, during a time when young UK producers were often being lumped together because of a single commonality"they weren't making dubstep. And though it's true that Funkineven wasn't making dubstep, it's also true"and far more interesting"that the London-based producer never sounded much like any of his peers, either. While his contemporaries flirted with R&B, or big-room house, or abstract grime, Funkineven forged his own path, one which combined a raw, analog sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, Julien eventually formed his own label, Apron Records, which has become a reliable outlet in its own right, not only for Funkineven releases, but also as a home base for talents like Seven Davis Jr and Greg Beato. Julien has also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil. Thr
(xlr8r podcasts)


Matrixxman
A lot of the chatter surrounding Matrixxman (a.k.a. Charles McCloud Duff) tends to focus on what he's done in the past, but in all honestly, the San Francisco producer's recent track record has us a lot more excited about his present and future output. Over the past year or so, Matrixxman has released one quality record after another, issuing house and techno tunes (both solo and collaborative) for the likes of Fifth Wall, Unknown to the Unknown, Classicworks, Deft, and Soo Wavey, the label he runs in tandem with frequent production partner Vin Sol. (The pair's white-label reworks of Sade have also caused quite a stir.) Next week, he'll be making his first appearance on Ghostly's Spectral Sound imprint, which will be presenting his new Amulet EP. To mark the occasion, we've enlisted him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Funkineven
Funkineven first surfaced in 2009, during a time when young UK producers were often being lumped together because of a single commonality"they weren't making dubstep. And though it's true that Funkineven wasn't making dubstep, it's also true"and far more interesting"that the London-based producer never sounded much like any of his peers, either. While his contemporaries flirted with R&B, or big-room house, or abstract grime, Funkineven forged his own path, one which combined a raw, analog sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, Julien eventually formed his own label, Apron Records, which has become a reliable outlet in its own right, not only for Funkineven releases, but also as a home base for talents like Seven Davis Jr and Greg Beato. Julien has also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil. Thr
(xlr8r podcasts)


Matrixxman
A lot of the chatter surrounding Matrixxman (a.k.a. Charles McCloud Duff) tends to focus on what he's done in the past, but in all honestly, the San Francisco producer's recent track record has us a lot more excited about his present and future output. Over the past year or so, Matrixxman has released one quality record after another, issuing house and techno tunes (both solo and collaborative) for the likes of Fifth Wall, Unknown to the Unknown, Classicworks, Deft, and Soo Wavey, the label he runs in tandem with frequent production partner Vin Sol. (The pair's white-label reworks of Sade have also caused quite a stir.) Next week, he'll be making his first appearance on Ghostly's Spectral Sound imprint, which will be presenting his new Amulet EP. To mark the occasion, we've enlisted him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


JTC's EM15 Mix
Looking back through the history of XLR8R, it's hard to believe that Tadd Mullinix was never commissioned to put together a mix for our podcast series. It certainly wasn't for a lack of enthusiasm on our part; after all, the Michigan producer has been turning out high-quality electronic sounds for more than a decade, primarily as Dabrye and James T. Cotton (a.k.a. JTC). (For the record, he's also released music under his own name and has been involved with a number of excellent collaborative undertakings, including 2AMFM with D'Marc Cantu and TNT with Todd Osborn. Those looking for a more complete rundown of Mullinix's history should definitely take a look at this feature we did last year.) This week, Mullinix will be heading north of the border for EM15; the six-day event is something of a new conception, as it combines two long-running Montreal festivals, MUTEK"which is celebrating its 15th anniversary"and Elektra. With Mullinix slated to perform on Saturday afternoon as JTC, the project with which he's bee
(xlr8r podcasts)


JTC's EM15 Mix
Looking back through the history of XLR8R, it's hard to believe that Tadd Mullinix was never commissioned to put together a mix for our podcast series. It certainly wasn't for a lack of enthusiasm on our part; after all, the Michigan producer has been turning out high-quality electronic sounds for more than a decade, primarily as Dabrye and James T. Cotton (a.k.a. JTC). (For the record, he's also released music under his own name and has been involved with a number of excellent collaborative undertakings, including 2AMFM with D'Marc Cantu and TNT with Todd Osborn. Those looking for a more complete rundown of Mullinix's history should definitely take a look at this feature we did last year.) This week, Mullinix will be heading north of the border for EM15; the six-day event is something of a new conception, as it combines two long-running Montreal festivals, MUTEK"which is celebrating its 15th anniversary"and Elektra. With Mullinix slated to perform on Saturday afternoon as JTC, the project with which he's bee
(xlr8r podcasts)


Call Super
In some ways, the story of Call Super (a.k.a. Joe Seaton) isn't particularly unique. Raised in the UK and now based in Berlin, he admitted in our Bubblin' Up profile last year that his background doesn't really set him apart from many of his peers. However, when one listens to his output, especially the records Seaton has offered up since he settled in with the Houndstooth camp, it's clear that Call Super isn't the average techno producer. Calling his music difficult would be a stretch, but it's undoubtedly challenging, even when it's focused on the dancefloor. His latest 12", "Depicta" b/w "Acephale II," which dropped just yesterday, was delivered with remarkably little fanfare and even less explanation, yet it's full of robust, propulsive rhythms. At the same time, its tunes are marked by ominous atmospherics, ghostly melodies, and crunchy percussive elements; essentially, the tracks exemplify how the Call Super sound is nuanced, complex, and designed to reward those listeners who are willing to sit back an
(xlr8r podcasts)


Call Super
In some ways, the story of Call Super (a.k.a. Joe Seaton) isn't particularly unique. Raised in the UK and now based in Berlin, he admitted in our Bubblin' Up profile last year that his background doesn't really set him apart from many of his peers. However, when one listens to his output, especially the records Seaton has offered up since he settled in with the Houndstooth camp, it's clear that Call Super isn't the average techno producer. Calling his music difficult would be a stretch, but it's undoubtedly challenging, even when it's focused on the dancefloor. His latest 12", "Depicta" b/w "Acephale II," which dropped just yesterday, was delivered with remarkably little fanfare and even less explanation, yet it's full of robust, propulsive rhythms. At the same time, its tunes are marked by ominous atmospherics, ghostly melodies, and crunchy percussive elements; essentially, the tracks exemplify how the Call Super sound is nuanced, complex, and designed to reward those listeners who are willing to sit back an
(xlr8r podcasts)


Kid Smpl
Kid Smpl (a.k.a. Joey Butler) isn't a particularly outspoken artist. The low-key Seattle producer (and former Bubblin' Up subject) maintains a relatively modest profile, quietly issuing music from his perch in the Pacific Northwest. Though his arrangements are often rather sparse, Butler's work has always been something of a hybrid effort, combining elements of instrumental hip-hop and R&B with leftfield bass explorations and pastoral melodies. read more
(xlr8r podcasts)


DIVA
Back in January of 2013, XLR8R was rather worked up about Paris Stabbing EP, the three-track debut EP from DIVA, a producer whose true identity was shrouded in mystery. Having been assured that more music was in the pipeline, we even tabbed DIVA as one of that year's Artists to Watch, but our excitement was initially met with, well, nothing, as the then-anonymous beatmaker remained silent for an entire year. However, when DIVA finally did speak up again, what he had to say was fairly significant, as he not only announced the launch of a new label, Obsession, but also revealed himself as Canadian producer Matt Didemus, better known as one half of Junior Boys. His young imprint officially began its run last month, dropping a four-track compilation EP that is still streaming here, and more releases are on the way. Ahead of their arrival, we thought now would be a good time to get a larger look at Didemus' current musical headspace, so we invited him to put together an exclusive mix for the XLR8R podcast series.
(xlr8r podcasts)


Kid Smpl
Kid Smpl (a.k.a. Joey Butler) isn't a particularly outspoken artist. The low-key Seattle producer (and former Bubblin' Up subject) maintains a relatively modest profile, quietly issuing music from his perch in the Pacific Northwest. Though his arrangements are often rather sparse, Butler's work has always been something of a hybrid effort, combining elements of instrumental hip-hop and R&B with leftfield bass explorations and pastoral melodies. read more
(xlr8r podcasts)


Mister Saturday Night
Over the last five years, Mister Saturday Night has become something of a Brooklyn institution, a well-curated, well-organized party run by a couple of bonafide music lovers, Justin Carter and Eamon Harkin. Guided by an open-minded musical vision (albeit one that leans heavily toward, house, techno, and disco), a real reverence for the salad days of NYC nightlife, and a concrete idea of what a party should"and should not"be, the two DJs have steadily built a substantial following on the dancefloor. Moreover, the two have earned a real sense of respect from their peers, especially those who appreciate Mister Saturday Night's attention to detail and its founders' obvious passion for their craft. In 2012, Carter and Harkin expanded their efforts and launched their own label, Mister Saturday Night Records, kicking off its run with Anthony Naples' Mad Disrespect 12", which was widely hailed as one of the year's best records. Since then, the high-quality stream of music has continued unabated, as the young label ha
(xlr8r podcasts)


Mister Saturday Night
Over the last five years, Mister Saturday Night has become something of a Brooklyn institution, a well-curated, well-organized party run by a couple of bonafide music lovers, Justin Carter and Eamon Harkin. Guided by an open-minded musical vision (albeit one that leans heavily toward, house, techno, and disco), a real reverence for the salad days of NYC nightlife, and a concrete idea of what a party should"and should not"be, the two DJs have steadily built a substantial following on the dancefloor. Moreover, the two have earned a real sense of respect from their peers, especially those who appreciate Mister Saturday Night's attention to detail and its founders' obvious passion for their craft. In 2012, Carter and Harkin expanded their efforts and launched their own label, Mister Saturday Night Records, kicking off its run with Anthony Naples' Mad Disrespect 12", which was widely hailed as one of the year's best records. Since then, the high-quality stream of music has continued unabated, as the young label ha
(xlr8r podcasts)


DIVA
Back in January of 2013, XLR8R was rather worked up about Paris Stabbing EP, the three-track debut EP from DIVA, a producer whose true identity was shrouded in mystery. Having been assured that more music was in the pipeline, we even tabbed DIVA as one of that year's Artists to Watch, but our excitement was initially met with, well, nothing, as the then-anonymous beatmaker remained silent for an entire year. However, when DIVA finally did speak up again, what he had to say was fairly significant, as he not only announced the launch of a new label, Obsession, but also revealed himself as Canadian producer Matt Didemus, better known as one half of Junior Boys. His young imprint officially began its run last month, dropping a four-track compilation EP that is still streaming here, and more releases are on the way. Ahead of their arrival, we thought now would be a good time to get a larger look at Didemus' current musical headspace, so we invited him to put together an exclusive mix for the XLR8R podcast series.
(xlr8r podcasts)


Adam Marshall
Over the past year, XLR8R has focused a lot of attention on Adam Marshall, although the bulk of it has been directed at Graze, his collaborative project with XI (a.k.a. Christian Andersen). And while we stand firm in our enthusiasm for the duo's music, on occasion, it needs to be pointed out that Marshall is a quality house and techno producer in his own right. Furthermore, the Canadian-born, Berlin-based artist also heads up the reliable New Kanada label, which has been home to both his own output and efforts from the likes of Basic Soul Unit, The Mole, West Norwood Cassette Library, and several others over the course of its nearly decade-long run. Just last week, the imprint announced its 50th release, a forthcoming split 12" from Marshall and new act Crushfield. The record is actually slated to appear next week, so we decided to commemorate the occasion by asking Marshall to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Adam Marshall
Over the past year, XLR8R has focused a lot of attention on Adam Marshall, although the bulk of it has been directed at Graze, his collaborative project with XI (a.k.a. Christian Andersen). And while we stand firm in our enthusiasm for the duo's music, on occasion, it needs to be pointed out that Marshall is a quality house and techno producer in his own right. Furthermore, the Canadian-born, Berlin-based artist also heads up the reliable New Kanada label, which has been home to both his own output and efforts from the likes of Basic Soul Unit, The Mole, West Norwood Cassette Library, and several others over the course of its nearly decade-long run. Just last week, the imprint announced its 50th release, a forthcoming split 12" from Marshall and new act Crushfield. The record is actually slated to appear next week, so we decided to commemorate the occasion by asking Marshall to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


The Range
Although The Range (a.k.a. James Hinton) released a couple of low-profile EPs in 2011 and 2012, it wasn't until last year that the Rhode Island producer really caught fire. The Seneca EP found Hinton impressively dipping his toes into faster tempos, while Nonfiction, his subsequent debut full-length, offered a variety of bass-infused musical explorations. In terms of style, The Range is a difficult project to pin down; strong currents of hip-hop and R&B run through Hinton's work, and there's undoubtedly a certain cleanliness to his productions, but his vision extends beyond what's playing on mainstream radio. Last month, his development continued with the release of the Panasonic EP (another Hinton effort for the Donky Pitch label), but the record ultimately left us wanting a longer look at what The Range had to offer; as such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Joey Anderson
Over the past few years, a small cadre of veteran New York and New Jersey DJs"including the likes of Levon Vincent, DJ Qu, Jus-Ed, Anthony Parasole, and Fred P."has risen to prominence, and while these artists' individual styles may vary, there's still a loose philosophy, or at least a shared set of values, tying them together. Taking a deeply measured, historically informed, and intensely musical approach to the dancefloor, this group has opened the door for other like-minded producers to reach a wider audience. Joey Anderson is one such producer, and after filling 2013 with a string of high-quality 12"s and EPs, the New Jersey native and former Bubblin' Up subject has just dropped his debut full-length, After Forever, via the Dekmantel label. The album is an excellent piece of work, so much so that we wanted to hear more of what Anderson had up his sleeve. As such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


The Range
Although The Range (a.k.a. James Hinton) released a couple of low-profile EPs in 2011 and 2012, it wasn't until last year that the Rhode Island producer really caught fire. The Seneca EP found Hinton impressively dipping his toes into faster tempos, while Nonfiction, his subsequent debut full-length, offered a variety of bass-infused musical explorations. In terms of style, The Range is a difficult project to pin down; strong currents of hip-hop and R&B run through Hinton's work, and there's undoubtedly a certain cleanliness to his productions, but his vision extends beyond what's playing on mainstream radio. Last month, his development continued with the release of the Panasonic EP (another Hinton effort for the Donky Pitch label), but the record ultimately left us wanting a longer look at what The Range had to offer; as such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Joey Anderson
Over the past few years, a small cadre of veteran New York and New Jersey DJs"including the likes of Levon Vincent, DJ Qu, Jus-Ed, Anthony Parasole, and Fred P."has risen to prominence, and while these artists' individual styles may vary, there's still a loose philosophy, or at least a shared set of values, tying them together. Taking a deeply measured, historically informed, and intensely musical approach to the dancefloor, this group has opened the door for other like-minded producers to reach a wider audience. Joey Anderson is one such producer, and after filling 2013 with a string of high-quality 12"s and EPs, the New Jersey native and former Bubblin' Up subject has just dropped his debut full-length, After Forever, via the Dekmantel label. The album is an excellent piece of work, so much so that we wanted to hear more of what Anderson had up his sleeve. As such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Frankie Knuckles
The history of house music is littered with iconic characters, but the influence of Frankie Knuckles can't be understated. Often referred to as "The Godfather of House Music," the Bronx native got his DJ start in New York City alongside fellow legend Larry Levan, but it was only after he relocated to Chicago that he truly made his biggest impact. Serving as a resident at early house hotspots like the Warehouse and later at his own club, The Power Plant, Knuckles played an instrumental role in growing house from a small scene into a global movement. Over time, he also extended his talents into the production world, and eventually became one of house music's most in-demand remixers. Now, after more than 35 years in the game, Knuckles remains active, continuing to turn out both remixes and original tracks and regularly touring the globe. On June 14, he'll be performing he was scheduled to perform for Love Fever at London's Found Festival, sharing the stage with Moodymann, Bicep, San Soda, and more, and the festi
(xlr8r podcasts)


Efdemin
In recent years, the term "deep" has been used and reused, to the point where the word has almost no concrete meaning in the context of electronic music. That's why artists like Efdemin (a.k.a. Phillip Sollmann) are so important; there's little question that his work is "deep," but in Sollmann's case, the descriptor has a lot more to do with the actual depth and nuanced nature of his music than it does any specific sonic signifiers. He's long been associated with Dial Records, an imprint with a long history of thoughtful, detail-oriented house and techno. On March 31, the label will be delivering Decay, Efdemin's third full-length and an effort that was largely recorded in the serene environs of Kyoto, Japan. Ahead of its release, we've enlisted the veteran German producer to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Frankie Knuckles
The history of house music is littered with iconic characters, but the influence of Frankie Knuckles can't be understated. Often referred to as "The Godfather of House Music," the Bronx native got his DJ start in New York City alongside fellow legend Larry Levan, but it was only after he relocated to Chicago that he truly made his biggest impact. Serving as a resident at early house hotspots like the Warehouse and later at his own club, The Power Plant, Knuckles played an instrumental role in growing house from a small scene into a global movement. Over time, he also extended his talents into the production world, and eventually became one of house music's most in-demand remixers. Now, after more than 35 years in the game, Knuckles remains active, continuing to turn out both remixes and original tracks and regularly touring the globe. On June 14, he'll be performing he was scheduled to perform for Love Fever at London's Found Festival, sharing the stage with Moodymann, Bicep, San Soda, and more, and the festi
(xlr8r podcasts)


Lee Bannon
Only two months have passed since we profiled Lee Bannon as part of this year's Bubblin' Up Week. Normally, we'd allow a little more time to pass before tabbing a Bubblin' Up artist for the XLR8R podcast series"if nothing else, for the sake of continued artist development"but in Bannon's case, it quickly became clear that the Brooklyn producer wasn't going to be waiting for anything. His debut LP for Ninja Tune, Alternate/Endings, dropped in January, turning heads with its blown-out aesthetic and frequent nods to drum & bass, yet Bannon has announced that he's already working on a follow-up. Given his prodigious work rate, we figured that Bannon might also be willing to take on our podcast series, and he not only delivered an exclusive DJ mix, but one that's stuffed with several of his unreleased tracks. read more
(xlr8r podcasts)


Efdemin
In recent years, the term "deep" has been used and reused, to the point where the word has almost no concrete meaning in the context of electronic music. That's why artists like Efdemin (a.k.a. Phillip Sollmann) are so important; there's little question that his work is "deep," but in Sollmann's case, the descriptor has a lot more to do with the actual depth and nuanced nature of his music than it does any specific sonic signifiers. He's long been associated with Dial Records, an imprint with a long history of thoughtful, detail-oriented house and techno. On March 31, the label will be delivering Decay, Efdemin's third full-length and an effort that was largely recorded in the serene environs of Kyoto, Japan. Ahead of its release, we've enlisted the veteran German producer to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Portable
Veteran house specialist Alan Abrahams has been somewhat quiet over the past few years, as barely a peep has been heard from either his ambient-inclined Portable moniker or his more dancefloor-oriented Bodycode alias. In fairness, a new Portable EP on Abrahams' Sd Electronic label is reportedly in the works, as is a new 12" for Perlon, but in the meantime, the South African-born artist has offered to provide a window into his current musical headspace by putting together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Portable
Veteran house specialist Alan Abrahams has been somewhat quiet over the past few years, as barely a peep has been heard from either his ambient-inclined Portable moniker or his more dancefloor-oriented Bodycode alias. In fairness, a new Portable EP on Abrahams' Sd Electronic label is reportedly in the works, as is a new 12" for Perlon, but in the meantime, the South African-born artist has offered to provide a window into his current musical headspace by putting together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Heatsick
Much of the attention surrounding Heatsick (a.k.a. Steven Warwick) focuses on his relatively spartan set-up, as the UK-born, Berlin-based producer makes music with just a Casio keyboard and a series of guitar pedals. It's certainly intriguing that Warwick relies upon these rudimentary tools, but fixating on his process does his music something of a disservice, as his intricate, loop-based creations are noteworthy in their own right. Heatsick releases have been popping up since the mid '00s, but there's little question that Warwick's efforts for the PAN label in recent years, especially 2013's Re-Engineering, have significantly elevated his stature. Still, after hearing so many of his original creations"many of which sound like off-kilter takes on house music by someone who most definitely didn't come of age in that scene"we found ourselves wondering what exactly a Heatsick DJ set would sound like. He's responded to that question with Back 2 Asics, an exclusive mix and the latest installment of the XLR8R podca
(xlr8r podcasts)


Efdemin
In recent years, the term "deep" has been used and reused, to the point where the word has almost no concrete meaning in the context of electronic music. That's why artists like Efdemin (a.k.a. Phillip Sollmann) are so important; there's little question that his work is "deep," but in Sollmann's case, the descriptor has a lot more to do with the actual depth and nuanced nature of his music than it does any specific sonic signifiers. He's long been associated with Dial Records, an imprint with a long history of thoughtful, detail-oriented house and techno. On March 31, the label will be delivering Decay, Efdemin's third full-length and an effort that was largely recorded in the serene environs of Kyoto, Japan. Ahead of its release, we've enlisted the veteran German producer to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Lee Bannon
Only two months have passed since we profiled Lee Bannon as part of this year's Bubblin' Up Week. Normally, we'd allow a little more time to pass before tabbing a Bubblin' Up artist for the XLR8R podcast series"if nothing else, for the sake of continued artist development"but in Bannon's case, it quickly became clear that the Brooklyn producer wasn't going to be waiting for anything. His debut LP for Ninja Tune, Alternate/Endings, dropped in January, turning heads with its blown-out aesthetic and frequent nods to drum & bass, yet Bannon has announced that he's already working on a follow-up. Given his prodigious work rate, we figured that Bannon might also be willing to take on our podcast series, and he not only delivered an exclusive DJ mix, but one that's stuffed with several of his unreleased tracks. read more
(xlr8r podcasts)


Portable
Veteran house specialist Alan Abrahams has been somewhat quiet over the past few years, as barely a peep has been heard from either his ambient-inclined Portable moniker or his more dancefloor-oriented Bodycode alias. In fairness, a new Portable EP on Abrahams' Sd Electronic label is reportedly in the works, as is a new 12" for Perlon, but in the meantime, the South African-born artist has offered to provide a window into his current musical headspace by putting together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Heatsick
Much of the attention surrounding Heatsick (a.k.a. Steven Warwick) focuses on his relatively spartan set-up, as the UK-born, Berlin-based producer makes music with just a Casio keyboard and a series of guitar pedals. It's certainly intriguing that Warwick relies upon these rudimentary tools, but fixating on his process does his music something of a disservice, as his intricate, loop-based creations are noteworthy in their own right. Heatsick releases have been popping up since the mid '00s, but there's little question that Warwick's efforts for the PAN label in recent years, especially 2013's Re-Engineering, have significantly elevated his stature. Still, after hearing so many of his original creations"many of which sound like off-kilter takes on house music by someone who most definitely didn't come of age in that scene"we found ourselves wondering what exactly a Heatsick DJ set would sound like. He's responded to that question with Back 2 Asics, an exclusive mix and the latest installment of the XLR8R podca
(xlr8r podcasts)


Heatsick
Much of the attention surrounding Heatsick (a.k.a. Steven Warwick) focuses on his relatively spartan set-up, as the UK-born, Berlin-based producer makes music with just a Casio keyboard and a series of guitar pedals. It's certainly intriguing that Warwick relies upon these rudimentary tools, but fixating on his process does his music something of a disservice, as his intricate, loop-based creations are noteworthy in their own right. Heatsick releases have been popping up since the mid '00s, but there's little question that Warwick's efforts for the PAN label in recent years, especially 2013's Re-Engineering, have significantly elevated his stature. Still, after hearing so many of his original creations"many of which sound like off-kilter takes on house music by someone who most definitely didn't come of age in that scene"we found ourselves wondering what exactly a Heatsick DJ set would sound like. He's responded to that question with Back 2 Asics, an exclusive mix and the latest installment of the XLR8R podca
(xlr8r podcasts)


Magic Touch
During the past two or three years, Magic Touch (a.k.a. Damon Palermo), has often been viewed through the lens of his previous projects, especially his work with skronky outfit Mi Ami. However, with his debut full-length, Palermo House Gang, ready to drop next week via the 100% Silk label, it seems like the time has truly arrived to evaluate the LA-based producer solely on the basis of his output as a solo artist. Coming on the heels of several EPs, both for 100% Silk and Tensnake's True Romance imprint, the LP finds Palermo continuing to blur the lines between old-school house, indulgent disco, and classic garage. Curious if these stylistic tendencies would hold true in the context of a DJ set, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Magic Touch
During the past two or three years, Magic Touch (a.k.a. Damon Palermo), has often been viewed through the lens of his previous projects, especially his work with skronky outfit Mi Ami. However, with his debut full-length, Palermo House Gang, ready to drop next week via the 100% Silk label, it seems like the time has truly arrived to evaluate the LA-based producer solely on the basis of his output as a solo artist. Coming on the heels of several EPs, both for 100% Silk and Tensnake's True Romance imprint, the LP finds Palermo continuing to blur the lines between old-school house, indulgent disco, and classic garage. Curious if these stylistic tendencies would hold true in the context of a DJ set, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


KZA
It's not often that Japan is touted as a hotbed for disco, but those familiar with the work of KZA (a.k.a. Yotsukaido Nature) have little trouble acknowledging that the Tokyo-based producer is one of the genre's most compelling figures. For most of the '00s, KZA was best known as one half of Force of Nature, his collaborative"and similarly disco-minded"project with DJ Kent. But with the release of his debut full-length, Dig and Edit, the veteran artist established himself as a formidable solo act. Next week, he'll be issuing a follow-up LP, Dig & Edit 2, once again via Mule Musiq's Endless Flight imprint. Given the record's impending release, not to mention the fact that KZA is often renowned as one of Japan's most dedicated vinyl collectors, we figured that he would be an excellent candidate to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Magic Touch
During the past two or three years, Magic Touch (a.k.a. Damon Palermo), has often been viewed through the lens of his previous projects, especially his work with skronky outfit Mi Ami. However, with his debut full-length, Palermo House Gang, ready to drop next week via the 100% Silk label, it seems like the time has truly arrived to evaluate the LA-based producer solely on the basis of his output as a solo artist. Coming on the heels of several EPs, both for 100% Silk and Tensnake's True Romance imprint, the LP finds Palermo continuing to blur the lines between old-school house, indulgent disco, and classic garage. Curious if these stylistic tendencies would hold true in the context of a DJ set, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


KZA
It's not often that Japan is touted as a hotbed for disco, but those familiar with the work of KZA (a.k.a. Yotsukaido Nature) have little trouble acknowledging that the Tokyo-based producer is one of the genre's most compelling figures. For most of the '00s, KZA was best known as one half of Force of Nature, his collaborative"and similarly disco-minded"project with DJ Kent. But with the release of his debut full-length, Dig and Edit, the veteran artist established himself as a formidable solo act. Next week, he'll be issuing a follow-up LP, Dig & Edit 2, once again via Mule Musiq's Endless Flight imprint. Given the record's impending release, not to mention the fact that KZA is often renowned as one of Japan's most dedicated vinyl collectors, we figured that he would be an excellent candidate to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Lucy
The music of Lucy (a.k.a. Luca Mortellaro) is perhaps most closely related to techno, but attempting to neatly file the Italian-born, Berlin-based producer's work into any particular genre is essentially a fruitless endeavor. His 2011 debut LP, Wordplay for Working Bees, hinted at IDM while experimenting with foreboding sheets of atmospheric noise and abstract beat patterns, and garnered Lucy plenty of admirers in the process. The output of his Stroboscopic Artefacts label has been more straightforward, albeit no less impressive, as the imprint has become a reliable home for dark, driving techno sounds. In the midst of all this activity, Lucy has somehow also found the time to link up with other artists in the studio, turning out collaborative work with the likes of Speedy J (as Zeitgeber) and Silent Servant, amongst others. Later this month, however, he'll be heading back into the solo spotlight with the release of his sophomore full-length, Churches Schools and Guns, an occasion we've elected to celebrate b
(xlr8r podcasts)


Lucy
The music of Lucy (a.k.a. Luca Mortellaro) is perhaps most closely related to techno, but attempting to neatly file the Italian-born, Berlin-based producer's work into any particular genre is essentially a fruitless endeavor. His 2011 debut LP, Wordplay for Working Bees, hinted at IDM while experimenting with foreboding sheets of atmospheric noise and abstract beat patterns, and garnered Lucy plenty of admirers in the process. The output of his Stroboscopic Artefacts label has been more straightforward, albeit no less impressive, as the imprint has become a reliable home for dark, driving techno sounds. In the midst of all this activity, Lucy has somehow also found the time to link up with other artists in the studio, turning out collaborative work with the likes of Speedy J (as Zeitgeber) and Silent Servant, amongst others. Later this month, however, he'll be heading back into the solo spotlight with the release of his sophomore full-length, Churches Schools and Guns, an occasion we've elected to celebrate b
(xlr8r podcasts)


KZA
It's not often that Japan is touted as a hotbed for disco, but those familiar with the work of KZA (a.k.a. Yotsukaido Nature) have little trouble acknowledging that the Tokyo-based producer is one of the genre's most compelling figures. For most of the '00s, KZA was best known as one half of Force of Nature, his collaborative"and similarly disco-minded"project with DJ Kent. But with the release of his debut full-length, Dig and Edit, the veteran artist established himself as a formidable solo act. Next week, he'll be issuing a follow-up LP, Dig & Edit 2, once again via Mule Musiq's Endless Flight imprint. Given the record's impending release, not to mention the fact that KZA is often renowned as one of Japan's most dedicated vinyl collectors, we figured that he would be an excellent candidate to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Jerome LOL
While the electronic spectrum is full of producers that could be described as unique, Jerome LOL is someone who truly marches to the beat of his own drum. It's been more than a year since his shape-shifting former outfit, LOL Boys, went on what has seemingly become a permanent hiatus, and in that time, the LA-based artist and co-founder of the ascendant Body High label has maintained his undeniably meta sense of humor and continued to build an identity based around various web tropes and an affinity for the aesthetics of the internet's early days. However, he's also established himself as a skilled producer of washy, emotive, and slow-grooving house, albeit a variant that also includes plenty of nods to (and outright appropriation of) contemporary Top 40. Following a series of self-released singles"which were later compiled and mixed on a limited-edition cassette"Jerome LOL will finally be issuing his first official EP, Deleted/Fool, next week via the Friends of Friends label. The four-track effort is current
(xlr8r podcasts)


Jerome LOL
While the electronic spectrum is full of producers that could be described as unique, Jerome LOL is someone who truly marches to the beat of his own drum. It's been more than a year since his shape-shifting former outfit, LOL Boys, went on what has seemingly become a permanent hiatus, and in that time, the LA-based artist and co-founder of the ascendant Body High label has maintained his undeniably meta sense of humor and continued to build an identity based around various web tropes and an affinity for the aesthetics of the internet's early days. However, he's also established himself as a skilled producer of washy, emotive, and slow-grooving house, albeit a variant that also includes plenty of nods to (and outright appropriation of) contemporary Top 40. Following a series of self-released singles"which were later compiled and mixed on a limited-edition cassette"Jerome LOL will finally be issuing his first official EP, Deleted/Fool, next week via the Friends of Friends label. The four-track effort is current
(xlr8r podcasts)


Visionist
It was early 2012 when XLR8R first profiled Visionist (a.k.a. Louis Carnell) in our ongoing Bubblin' Up series, and even then, the London-based producer seemed like an incredibly busy guy. Over the past two years or so, he basically hasn't stopped working; the latter half of 2013 proved to be a particularly fruitful period, as Visionist records popped up on Leisure System, RAMP, and Lit City Trax, solidifying the young producer's position as one of the leading figures in the resurgent grime scene. Of course, what makes Visionist's music so interesting is the fact that he's not a classicist; grime may be at the center of his artistic vision, but his tracks often bare traces of hip-hop, R&B, footwork, and other urban sounds from across the Atlantic. Now that the calendar has flipped to 2014, he appears poised to properly stake his claim, not just as a grime producer, but as one of the UK's most intriguing beatmakers. As such, we figured that there would be no better time to enlist his services for the XLR8R
(xlr8r podcasts)


Actress
Every Tuesday morning, XLR8R presents the latest installment of its podcast series, highlighting an exclusive mix from an artist whose work has piqued our interest in some way. Having posted more than 300 podcast mixes over the years, it's safe to say that a wide variety of acts have contributed to the series, from intriguing up-and-comers (some of which were never heard from again) to indisputable electronic music legends. And though we're generally quite enthusiastic about all of our podcasts, we're not ashamed to admit that our anticipation levels do spike when someone particularly exciting agrees to participate. Today is one of those instances, as this week's mix was delivered by UK producer and Werkdiscs boss Darren Cunningham (a.k.a. Actress). read more
(xlr8r podcasts)


Actress
Every Tuesday morning, XLR8R presents the latest installment of its podcast series, highlighting an exclusive mix from an artist whose work has piqued our interest in some way. Having posted more than 300 podcast mixes over the years, it's safe to say that a wide variety of acts have contributed to the series, from intriguing up-and-comers (some of which were never heard from again) to indisputable electronic music legends. And though we're generally quite enthusiastic about all of our podcasts, we're not ashamed to admit that our anticipation levels do spike when someone particularly exciting agrees to participate. Today is one of those instances, as this week's mix was delivered by UK producer and Werkdiscs boss Darren Cunningham (a.k.a. Actress). read more
(xlr8r podcasts)


Visionist
It was early 2012 when XLR8R first profiled Visionist (a.k.a. Louis Carnell) in our ongoing Bubblin' Up series, and even then, the London-based producer seemed like an incredibly busy guy. Over the past two years or so, he basically hasn't stopped working; the latter half of 2013 proved to be a particularly fruitful period, as Visionist records popped up on Leisure System, RAMP, and Lit City Trax, solidifying the young producer's position as one of the leading figures in the resurgent grime scene. Of course, what makes Visionist's music so interesting is the fact that he's not a classicist; grime may be at the center of his artistic vision, but his tracks often bare traces of hip-hop, R&B, footwork, and other urban sounds from across the Atlantic. Now that the calendar has flipped to 2014, he appears poised to properly stake his claim, not just as a grime producer, but as one of the UK's most intriguing beatmakers. As such, we figured that there would be no better time to enlist his services for the XLR8R
(xlr8r podcasts)


Lucy
The music of Lucy (a.k.a. Luca Mortellaro) is perhaps most closely related to techno, but attempting to neatly file the Italian-born, Berlin-based producer's work into any particular genre is essentially a fruitless endeavor. His 2011 debut LP, Wordplay for Working Bees, hinted at IDM while experimenting with foreboding sheets of atmospheric noise and abstract beat patterns, and garnered Lucy plenty of admirers in the process. The output of his Stroboscopic Artefacts label has been more straightforward, albeit no less impressive, as the imprint has become a reliable home for dark, driving techno sounds. In the midst of all this activity, Lucy has somehow also found the time to link up with other artists in the studio, turning out collaborative work with the likes of Speedy J (as Zeitgeber) and Silent Servant, amongst others. Later this month, however, he'll be heading back into the solo spotlight with the release of his sophomore full-length, Churches Schools and Guns, an occasion we've elected to celebrate b
(xlr8r podcasts)


Jerome LOL
While the electronic spectrum is full of producers that could be described as unique, Jerome LOL is someone who truly marches to the beat of his own drum. It's been more than a year since his shape-shifting former outfit, LOL Boys, went on what has seemingly become a permanent hiatus, and in that time, the LA-based artist and co-founder of the ascendant Body High label has maintained his undeniably meta sense of humor and continued to build an identity based around various web tropes and an affinity for the aesthetics of the internet's early days. However, he's also established himself as a skilled producer of washy, emotive, and slow-grooving house, albeit a variant that also includes plenty of nods to (and outright appropriation of) contemporary Top 40. Following a series of self-released singles"which were later compiled and mixed on a limited-edition cassette"Jerome LOL will finally be issuing his first official EP, Deleted/Fool, next week via the Friends of Friends label. The four-track effort is current
(xlr8r podcasts)


Actress
Every Tuesday morning, XLR8R presents the latest installment of its podcast series, highlighting an exclusive mix from an artist whose work has piqued our interest in some way. Having posted more than 300 podcast mixes over the years, it's safe to say that a wide variety of acts have contributed to the series, from intriguing up-and-comers (some of which were never heard from again) to indisputable electronic music legends. And though we're generally quite enthusiastic about all of our podcasts, we're not ashamed to admit that our anticipation levels do spike when someone particularly exciting agrees to participate. Today is one of those instances, as this week's mix was delivered by UK producer and Werkdiscs boss Darren Cunningham (a.k.a. Actress). read more
(xlr8r podcasts)


Visionist
It was early 2012 when XLR8R first profiled Visionist (a.k.a. Louis Carnell) in our ongoing Bubblin' Up series, and even then, the London-based producer seemed like an incredibly busy guy. Over the past two years or so, he basically hasn't stopped working; the latter half of 2013 proved to be a particularly fruitful period, as Visionist records popped up on Leisure System, RAMP, and Lit City Trax, solidifying the young producer's position as one of the leading figures in the resurgent grime scene. Of course, what makes Visionist's music so interesting is the fact that he's not a classicist; grime may be at the center of his artistic vision, but his tracks often bare traces of hip-hop, R&B, footwork, and other urban sounds from across the Atlantic. Now that the calendar has flipped to 2014, he appears poised to properly stake his claim, not just as a grime producer, but as one of the UK's most intriguing beatmakers. As such, we figured that there would be no better time to enlist his services for the XLR8R
(xlr8r podcasts)


DJ Koze
The calendar only flipped to December a few days ago, but it seems that much of the music world has already begun to set its sights on the end of the year. More specifically, everyone seems to be looking back at the last 11 months and evaluating what pieces of music were amongst the year's best. XLR8R is no different, and when our list of 2013's best releases surfaces during the next few weeks, there's little question that Amygadla, the long-awaited sophomore LP from DJ Koze, will make the cut. It's been a big year for the veteran German producer, which is why we thought he would be an excellent candidate to put together the final XLR8R podcast of 2013. read more
(xlr8r podcasts)


Marquis Hawkes
After impressively debuting in late 2012 with his Cabrini Green EP for the Dixon Avenue Basement Jams imprint, mysterious producer Marquis Hawkes had an even better 2013. Operating anonymously from his home base in Berlin, he issued two more EPs, Higher Forces at Work and Sex, Drugs & House, and continued to deliver raw, ghetto-house-influenced sounds. Still, even after speaking with Hawkes at length for a Bubblin' Up profile last March, and subsequently naming him one of 2013's Best New Artists, we have to admit that we still don't know all that much about him. Anxious to remedy that situation"and also curious to hear the man at work behind the decks"we've asked the Bubblin' Up alum to come back for Bubblin' Up Week 2014 and deliver the first XLR8R podcast of the year. read more
(xlr8r podcasts)


Marquis Hawkes
After impressively debuting in late 2012 with his Cabrini Green EP for the Dixon Avenue Basement Jams imprint, mysterious producer Marquis Hawkes had an even better 2013. Operating anonymously from his home base in Berlin, he issued two more EPs, Higher Forces at Work and Sex, Drugs & House, and continued to deliver raw, ghetto-house-influenced sounds. Still, even after speaking with Hawkes at length for a Bubblin' Up profile last March, and subsequently naming him one of 2013's Best New Artists, we have to admit that we still don't know all that much about him. Anxious to remedy that situation"and also curious to hear the man at work behind the decks"we've asked the Bubblin' Up alum to come back for Bubblin' Up Week 2014 and deliver the first XLR8R podcast of the year. read more
(xlr8r podcasts)


DJ Koze
The calendar only flipped to December a few days ago, but it seems that much of the music world has already begun to set its sights on the end of the year. More specifically, everyone seems to be looking back at the last 11 months and evaluating what pieces of music were amongst the year's best. XLR8R is no different, and when our list of 2013's best releases surfaces during the next few weeks, there's little question that Amygadla, the long-awaited sophomore LP from DJ Koze, will make the cut. It's been a big year for the veteran German producer, which is why we thought he would be an excellent candidate to put together the final XLR8R podcast of 2013. read more
(xlr8r podcasts)


Marquis Hawkes
After impressively debuting in late 2012 with his Cabrini Green EP for the Dixon Avenue Basement Jams imprint, mysterious producer Marquis Hawkes had an even better 2013. Operating anonymously from his home base in Berlin, he issued two more EPs, Higher Forces at Work and Sex, Drugs & House, and continued to deliver raw, ghetto-house-influenced sounds. Still, even after speaking with Hawkes at length for a Bubblin' Up profile last March, and subsequently naming him one of 2013's Best New Artists, we have to admit that we still don't know all that much about him. Anxious to remedy that situation"and also curious to hear the man at work behind the decks"we've asked the Bubblin' Up alum to come back for Bubblin' Up Week 2014 and deliver the first XLR8R podcast of the year. read more
(xlr8r podcasts)


Brian Ellis "All I Know, All I See"
Hailing from the Southern California city of Escondido, funk specialist Brian Ellis will issue his Reflection EP via San Francisco's Voltaire label next week. Billed as a record that pushes Ellis' brand of "drum machine-synthesizer funk to the livest, rawest level" (and complete with a feature from The Egyptian Lover), Reflection is an expectedly keyboard-laden affair, for which "All I Know, All I See" serves as our first taste. read more
(xlr8r music)


randy on Arise Music Festival Tickets-Free GIveaway
Free Tickets to Arise Music Festival 2014 Beyond EDM is teaming up with the Arise Music Festival 2014 in Loveland, CO, just outside Denver, to bring you a free ticket giveaway. This 3 day festival takes place among the rolling hills outside Denver on the gorgeous grounds of the Sunrise Ranch. The Arise Music Festival 2014 Lineup is a mashup of some of the best jam bands and hottest DJ's in the country. Beats Antique, Galactic ft Chali 2na, Unlimited Aspect, DJ Mikey Fisher and more are among the electronic music artists at Arise. Along with the music, there are yoga workshops and art installations because "Arise is more than a festival, it's a movement". Arise Music Festival 2014 Lineup Beyond EDM will be giving away 2 free tickets to this incredible EDM festival in Denver, so check back with our EDM blog for more details about the contest and Arise Music Festival. Head over to this post to enter our contest and GOOD LUCK!! If you aren't our lucky winner, you can always buy Arise Music Festival 2014 tickets
(beyondedm.com/forum)


Events BANGFACE Birthday 2014 - Fri 19 Sept @ Electrowerkz, London
BANG FACE HARD CREW!BANGFACE BIRTHDAY PARTY 201410pm - 6am / Friday 19 September@ Electrowerkz, 7 Torrens Street, London EC1V 1NQSlipmattHigh RankinReeps OneTop Cat & Don CaesarD.A.V.E. The DrummerLuna-CBroken NoteHostageSanxionDJ KRotatorDolphin & TeknoistGore TechFoxdyeDave SkywalkerLemon Drizlay CrewDJ Double ZeroSaint Acid & The Bang Face Hard CrewPARTY THEME TBA...eTickets > 15 only from http://www.bangface.comhttps://www.facebook.com/events/690130544376041BANGFACE - An Explosion of Acid, Jungle, Rave Hardcore,Drum & Bass, Breakcore, Bass, Techno and Mash-up Electronica!Statistics: Posted by Saint Acid " Fri Jul 25, 2014 12:32 pm
(c8.com)


DJ Koze
The calendar only flipped to December a few days ago, but it seems that much of the music world has already begun to set its sights on the end of the year. More specifically, everyone seems to be looking back at the last 11 months and evaluating what pieces of music were amongst the year's best. XLR8R is no different, and when our list of 2013's best releases surfaces during the next few weeks, there's little question that Amygadla, the long-awaited sophomore LP from DJ Koze, will make the cut. It's been a big year for the veteran German producer, which is why we thought he would be an excellent candidate to put together the final XLR8R podcast of 2013. read more
(xlr8r podcasts)


D-Node 252: J.C. | Tresor + Deeply Rooted
Born and raised in Madrid, Jose Cabrera grew up on a wide range of musical genres, but in the techno realm come to appreciate the quality techno titans like M-Plant,Basic Channel, Axis, Chain Reaction, Mosaic, Downwards, UR and Dynamic Tension. His own style of raw, stripped down and hypnotic techno is a reflection of his influences. In 2012, he started the label A Harmless Deed together with his friend Damian Schwartz, releasing records of the likes of Fred P, Dj F, Marcos Cabral and Epiphany and he produced his first EP for the argentinian label Greener Records in the beginning of 2013. He’s since released on Fred P’s Soul People Music, Deeply Rooted House, Tresor and others, as well as his own JC Records. This week’s mix is a reflection of the aesthetic described above, moving from hypnotic pads to some Mike Parker, getting harder to make its way to Robert Hood’s excellent “Side Effect” and finishing with a track that really sounds like it belongs on Tomorrow. J.C. has
(droidbehavior)


LADY SHAVE
LADY SHAVE 8pmJuly 31st, 2014 Free Front Bar DJ SEOUL DJ NITE FLEITLady Shave is a hypnotic and mindless dance night dedicated to lady-only DJs, dark melodies and sensory decor.Yahna Fookes (aka DJ Seoul) is one half of Sydney collective Lady Shave, along with Alysha Fleiter (the formidable DJ Nite Fleit). Together these heavenly honeys bring together an eclectic collection of music making reference to minimal wave, industrial, new beat, techno and house -spinning you into a trance that transcends the body and pierces the mind, causing you to move your body. LISTEN: Busan Mix by DJ Seoul
(GOODGOD Small Club ~ Events )


Axel Boman
Although Axel Boman first put himself on everyone's radar in 2010 with the breakout release of "Purple Drank" and the launch of his Studio Barnhus label, it really feels like the Swedish producer's coming-out party took place in 2013. Not only has the notoriously affable artist found himself increasingly on the international DJ circuit, but this year also saw him issuing both the Black Magic Boman EP via Hypercolour and Family Vacation, his debut full-length. Those records showcased Boman's love for breezy pop, groovy disco, and low-slung deep house. Curious to see how those tendencies would translate in the context of a DJ mix, we invited Boman to put together the latest installment of the XLR8R podcast series. read more
(xlr8r podcasts)


Axel Boman
Although Axel Boman first put himself on everyone's radar in 2010 with the breakout release of "Purple Drank" and the launch of his Studio Barnhus label, it really feels like the Swedish producer's coming-out party took place in 2013. Not only has the notoriously affable artist found himself increasingly on the international DJ circuit, but this year also saw him issuing both the Black Magic Boman EP via Hypercolour and Family Vacation, his debut full-length. Those records showcased Boman's love for breezy pop, groovy disco, and low-slung deep house. Curious to see how those tendencies would translate in the context of a DJ mix, we invited Boman to put together the latest installment of the XLR8R podcast series. read more
(xlr8r podcasts)


Axel Boman
Although Axel Boman first put himself on everyone's radar in 2010 with the breakout release of "Purple Drank" and the launch of his Studio Barnhus label, it really feels like the Swedish producer's coming-out party took place in 2013. Not only has the notoriously affable artist found himself increasingly on the international DJ circuit, but this year also saw him issuing both the Black Magic Boman EP via Hypercolour and Family Vacation, his debut full-length. Those records showcased Boman's love for breezy pop, groovy disco, and low-slung deep house. Curious to see how those tendencies would translate in the context of a DJ mix, we invited Boman to put together the latest installment of the XLR8R podcast series. read more
(xlr8r podcasts)


Events 30.08.2014 PRAXIS PRESENTS DATACIDE SOLIPARTY @ Kpi, Berlin
HARDCORE BREAKCORE EXPERIMENTAL ACIDLA PESTEhttp://www.hangars-liquides.com/GUNTER SAXENHAMMERhttp://www.mixcloud.com/SXHammer/SYDhttp://www.mixcloud.com/BruitsdeFond/COEXSYSTEMShttps://soundcloud.com/coexsystemsLYNXhttp://www.mixcloud.com/NOISEANGRIFF/ly ... f-53-2714/ELECTRIC KETTLEhttps://soundcloud.com/electrickettleZFEhttp://www.mixcloud.com/Zombieflesheater/MORE TBAhttp://praxis.c8.com/http://datacide.c8.com/NO RACISM, NO SEXISM, NO NATIONALISM, NO PROLLOSStatistics: Posted by sansculotte " Wed Jul 23, 2014 8:12 pm
(c8.com)


Aashton "I've Had Enough"
Aashton is a burgeoning artist who has placed a number of quality tunes in our Downloads section in recent months. Now, the UK producer has elected to give away two tracks via a new digital EP, one of which is "I've Had Enough." Steeped in soulful chords, "I've Had Enough" is a sharp piece of low-swung club music which utilizes a good deal of playful percussion, tasteful vocal chops, juicy piano stabs, and a precise bassline during the course of its run. While this selection from Aashton's free EP can be download below, the tune's virtual flipside counterpart, "Status Ain't Crooked," can be heard after the jump. read more
(xlr8r music)


Slam Skillet "Keratin"
NYC producer Slam Skillet first appeared on our radar late last month, when the budding talent offered up his club-minded "Impala" production for free download. Now, Slam Skillet returns to XLR8R with "Keratin," a sci-fi cut from his upcoming Linear Motif EP (artwork above), which drops on July 28 via the Ounce. digital label. read more
(xlr8r music)




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