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Pangaea
Pangaea (a.k.a. Kevin McAuley) is something of a mystery. On the one hand, he's one third of the braintrust behind Hessle Audio, a label that's widely recognized as one of the most innovative and respected imprints in electronic music. On the other, he's someone who seemingly prefers to operate in the background, often allowing his partners Ben UFO and Pearson Sound to do the talking and soak up the accolades. As such, Pangaea's talents and body of work can sometimes be overlooked, despite the fact that he's been responsible for a steady stream of quality tracks over the past seven years. In 2013, Pangaea did step out on his own a little more assertively, setting up the Hadal label as an outpost for his dark, increasingly techno-oriented creations. Pob, his excellent and most recent Hadal 12" from earlier in the year, stoked our desire to hear a more substantial dose of McAuley's individual artistic outlook, so we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Pional
The rise of Pional (a.k.a. Miguel Barros) has been a gradual one over the past few years, but 2014 feels like the year in which the Madrid producer has properly stepped into the spotlight. He's long been associated with John Talabot and his Hivern Discs label, and though Barros has been issuing solo work since 2010, including efforts for both Hivern and Permanent Vacation, he was for a long time best known as the "other guy" in Talabot's live show and the man behind the poppy vocal hook on "Destiny." That began to change in late 2013, when Barros signed on with Young Turks to issue the Invisible/Amenaza EP. Combined with an increased presence on the DJ circuit as a solo artist, the record garnered Pional plenty of new attention, and his latest effort, an official release of the hotly tipped "It's All Over" (one of the star tracks from Talabot's stellar DJ-Kicks mix album), is arguably even bigger. As such, we felt the time was right to ask Barros to put together an exclusive mix for the XLR8R podcast series.
(xlr8r podcasts)


Simian Mobile Disco
Simian Mobile Disco is a project that has gone through several stylistic iterations since the UK duo first debuted in the mid '00s, and its music admirably continues to evolve. After reaching an unexpected high-water mark with the melodic techno of 2012's Unpatterns, James Ford and Jas Shaw have reset the template once again on Whorl, the pair's latest album. Recorded during an extended jam session in the California desert, the freshly released LP finds the duo going deeper than ever before. Later this week, Ford and Shaw will begin taking Whorl on tour around North America, and they'll be following that up with a 12-week residency at London's XOYO. Amidst all of this, we somehow convinced the veteran outfit to put together an exclusive mix for the XLR8R podcast. read more
(xlr8r podcasts)


Danny Daze
Danny Daze (a.k.a. Daniel Gomez) has been releasing records since the late '00s, but during the past year, the Miami producer has taken his craft to another level. Recent months have seen him release music via Jimmy Edgar's Ultramajic label and Maceo Plex's Ellum Audio imprint, and just last week, Gomez officially joined the esteemed ranks of Kompakt, serving up the label's latest Speicher 12". Simply put, Danny Daze has been busy, especially considering that he's frequently DJing around the globe and also has a new label of his own in the works. Given that, we weren't sure if he'd be able to contribute to the XLR8R podcast series, but he somehow found the time to assemble this exclusive mix. read more
(xlr8r podcasts)


Ital
Over the past few years, there has been a lot of talk about former punk and hardcore figures moving into house and techno, but few of these artists' efforts feel as spiritually "punk" as the music being created by Ital (a.k.a. Daniel Martin-McCormick). Previously a member of experimental-leaning (and ostensibly punk/hardcore) outfits like Black Eyes and Mi Ami, and also the creative force behind the abrasive Sex Worker project, Martin-McCormick introduced Ital in 2011, and has spent the last few years turning out leftfield takes on dance music, primarily via labels such as 100% Silk, Workshop, Planet Mu, and his own Lovers Rock imprint. (He's also worked collaboratively during this time, combining with Hieroglyphic Being as Interplanetary Prophets and with Aurora Halal as Ital & Halal.) Next week, the Brooklyn-based producer will be issuing his third album as Ital, Endgame, via Planet Mu, and he'll be following up its release by performing a few days later at the inaugural edition of Sustain-Release, a bo
(xlr8r podcasts)


Basement Jaxx
Quiet isn't a word that many people would use to describe Basement Jaxx, but in recent years, the lively UK duo of Felix Buxton and Simon Ratcliffe has maintained a relatively low profile. Still, even though the outfit responsible for international smash hits like "Where's Your Head At?" and "Red Alert" may have stepped out of the spotlight a bit, the pair hasn't exactly mellowed with age. This week, Basement Jaxx is releasing its seventh studio album, Junto; as expected, it's a madcap, genre-hopping effort that finds Buxton and Ratcliffe delivering another batch of shuffling house rhythms, soulful vocal turns, and oddball pop experiments. That being said, as inventive as Basement Jaxx's productions have been over the years, the duo first made its name in the DJ booth. (Basement Jaxx was actually the name of the pair's mid-'90s club night; it was followed by another party called Rooty, whose name was later used as the title of the group's second LP.) Curious to see if the boys' DJ chops were intact, we invite
(xlr8r podcasts)


Mu-Ziq
At this point, simply referring to Mike Paradinas as an influential figure feels like a severe understatement. For the past two decades, the man has worked tirelessly to push electronic music forward, both as an artist"recording primarily as Mu-Ziq, amongst a litany of other monikers"and as the head of the groundbreaking Planet Mu imprint, which has become one of the leading outposts for experimental and left-of-center electronic sounds. Incredibly prolific and never beholden to any particular style, Paradinas has amassed quite the body of work over the years, and is adding a new EP, Rediffusion, to his discography this week. To mark the occasion, we asked the veteran producer to put together an exclusive mix for the XLR8R podcast series, without knowing exactly what he might deliver. read more
(xlr8r podcasts)


Maxmillion Dunbar
Maxmillion Dunbar (a.k.a. Andrew Field-Pickering) wears a lot of hats. Aside from his primary production moniker, he also releases tracks as Dolo Percussion and Max D, and serves as one half of both Beautiful Swimmers (with Ari Goldman) and Zsa Gang (with Jordan Czamanski of Juju & Jordash). On top of that, the Washington, DC-based artist heads up the Future Times imprint, which has spent the past few years becoming one of the most intriguing dance labels in the US. Though he's perhaps best known for his talents both selecting and producing left-of-center house and disco, Dunbar is someone whose musical scope goes well beyond dance music standards. Anxious to see his expansive vision in action once again, we've tapped Dunbar for the latest edition of the XLR8R podcast series. read more
(xlr8r podcasts)


Randomer
Randomer (a.k.a. Rohan Walder) isn't a new artist, but it does feel like the London-based producer is hitting his stride as of late. First surfacing amongst the post-dubstep flurry of the late '00s, he's released tunes for a variety of labels over the years, including Soul Jazz, Tru Thoughts, Numbers, Hemlock, and Turbo. And though his name has long been associated with tough rhythms and inventive percussion, Randomer's sound has gradually drifted toward techno, eventually settling on an aesthetic that infuses raw, warehouse-ready sounds with a distinctly UK flavor. Just this month, he's been on a real hot streak, as his Residents 12" for L.I.E.S. was the label's 50th release (and first from a UK artist), and was quickly followed by Stupid Things I Do, his debut for the similarly esteemed Clone Basement Series. Suddenly, Randomer appears to be at the peak of his powers, so it's rather fortunate that he's also been working on an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Appleblim
Appleblim (a.k.a. Laurie Osborne) is an interesting figure. In the mid '00s, the Bristol producer was best known as one of the co-founders of Skull Disco, the pioneering label he operated alongside Shackleton. However, following the imprint's demise in 2008, he's taken a varied path, starting up his own Apple Pips label and initially releasing a flurry of collaborative singles in 2009 and 2010 before temporarily going quiet on the production front. As Osborne detailed in our interview with him last summer, making music doesn't come easily for him, but he's gradually learning to accept his role as an electronic musician. 2013 saw the release of his first fully solo 12", along with several joint efforts with fellow Bristolian Komon. The two producers have hit something of a groove, as this week saw the release of the pair's latest effort (and second this year), the Motion Blur EP, which is being issued via Aus Music. Given this burst of energy, it seems safe to say that Appleblim is back into the swing of thing
(xlr8r podcasts)


Pixelord
Nearly two years have passed since XLR8R published an extensive feature digging into the country's rapidly expanding electronic music scene. Since then, this growth has only intensified, and Russia's leading producers continue to knock on the door of more widespread recognition. Although the enormous nation is home to a countless number of talented producers, when it comes to beats and bass, there's little question that Pixelord (a.k.a. Alexey Devyanin) sits at the top of the list. He's previously released music via Leisure System, Error Broadcast, Car Crash Set, and Civil Music, and his stewardship of the Hyperboloid label has made the imprint into an essential hub for forward Russian sounds. On July 28, Pixelord's latest EP, Polygon Fane, will be issued via Infinite Machine, so the time felt right to invite Devyanin to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Fracture
After nearly a decade in dance music purgatory, drum & bass and jungle have gradually worked their way back into the spotlight. Throughout this process, few labels have proven more reliable than dBridge's Exit Records, and the imprint's latest offering, the Loving Touch EP, comes from Fracture (a.k.a. Charlie Fieber), a veteran UK producer who also heads up a quality imprint of his own, Astrophonica, with partner and frequent collaborator Neptune. On the record's title track, Fracture flips Ralphi Rosario's and Xavier Gold's house classic "You Used to Hold Me" into a hyperkinetic piece of drum & bass, while the remainder of the EP finds him working bits of footwork, grime, hip-hop, and dubstep into a jungle template. On a basic level, this sort of hybridization and creativity is at least partially responsible for the revitalization of drum & bass, and hearing these tunes left us curious about how the approach would work in an elongated format. As such, we invited Fracture to put together an exclus
(xlr8r podcasts)


Submerse
Back in 2011, we profiled Submerse (a.k.a. Rob Orme) in one of our Bubblin' features (the series is now called Bubblin' Up), and our write-up described his music as "something like Play-era Moby making 2-step." In the years that have followed, we've kept tabs on the UK producer, charting his musical evolution as he temporarily relocated to Japan"he's now back in London"and gradually moved away from the garage and bassline tendencies of his early output. That said, we certainly weren't prepared for the hazy, hip-hop-leaning sounds that populate his forthcoming debut full-length, Slow Waves. Scheduled for release on July 28 via the Project: Mooncircle label, the album hews closer to the sun-kissed sounds of the West Coast beat scene than the neon skylines of Tokyo or the cloudy horizons of the UK, and it's undoubtedly the most accomplished thing Submerse has produced to date. As such, we felt the time was right to give the man some room to operate, and invited him to put together an exclusive mix for the XLR8R
(xlr8r podcasts)


Willie Burns
Despite his notably low-key persona, William T. Burnett isn't someone who keeps quiet when it comes to making music. The Texas-born, Brooklyn-based producer initially established himself in the early-'00s NYC club scene under the name Speculator, and later began releasing records with a different alias, Grackle, via Legowelt's Strange Life Records. However, it was the introduction of a new, house-focused moniker, Willie Burns, that really seemed to light a fire under Burnett. Since the first Willie Burns record appeared in 2011, he's kept up a blistering pace, adding new aliases (Black Deer, Phobian) while issuing tracks via labels like L.I.E.S., Crme Organization, The Trilogy Tapes, and Not Not Fun. Burnett also heads up his own label, W.T. Records, works at famed Brooklyn record depot The Thing, and holds down a weekly show at Newtown Radio. As if that wasn't enough, he's also managed to maintain an avid passion for collaboration, partnering with the likes of Eliot Lipp (as Galaxy Toobin'), Legowelt (as Sma
(xlr8r podcasts)


Jokers of the Scene
Jokers of the Scene isn't a new outfit"the Toronto pair has been remixing and releasing records since 2006"but until recently, the duo of Linus Booth and Chris Macintyre hadn't truly managed to distinguish itself. Despite the group's varied output, Jokers of the Scene often felt inextricably tied to the late-'00s bloghouse circuit, most likely due to the project's long-standing affiliation with the Fool's Gold imprint. As such, we were pleasantly surprised when the duo offered up End Scene, its first full-length, a few weeks back. The album, released by Throne of Kanada (a joint effort between the Throne of Blood and New Kanada labels) finds the JOTS boys significantly widening their musical palette, as the LP includes sophisticated nods toward classic house and techno, ambient music, and even some '80s pop. At its core, End Scene is a remarkably sophisticated listen, and one that gave us confidence that Booth and Macintyre were more than capable of putting together a quality mix for the XLR8R podcast series.
(xlr8r podcasts)


Karizma
Even though he's been releasing records for nearly two decades (and DJing for more than three), it still feels like Karizma (a.k.a. Chris Clayton) is something of a mystery. Operating out of his home base in Baltimore, the well-respected artist"who is also known as Kaytronik and simply K2"has dabbled in a variety of sounds over the years, including excursions into jazz, hip-hop, and broken beat, but it's Clayton's hypnotically soulful, drum-laden house constructions that have truly defined his catalog. Suitable for a big room, but scuzzy enough for a basement, Karizma's tunes cut across the electronic spectrum, and sound especially potent in his own hands, as his prowess in the DJ booth"especially with a pair of CDJs"has become legendary. Next month, he'll be releasing his latest offering, the Beats & Bobs Vol. 1 EP, via longtime label home R2 Records; ahead of that, he's also put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Ras G Drops 'Raw Fruit Vol. 3' Beat Tape
LA beat shaman Ras G has dropped the latest installment in his ongoing Raw Fruit beat tape series. read more
(xlr8r news)


Funkineven
Funkineven first surfaced in 2009, during a time when young UK producers were often being lumped together because of a single commonality"they weren't making dubstep. And though it's true that Funkineven wasn't making dubstep, it's also true"and far more interesting"that the London-based producer never sounded much like any of his peers, either. While his contemporaries flirted with R&B, or big-room house, or abstract grime, Funkineven forged his own path, one which combined a raw, analog sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, Julien eventually formed his own label, Apron Records, which has become a reliable outlet in its own right, not only for Funkineven releases, but also as a home base for talents like Seven Davis Jr and Greg Beato. Julien has also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil. Thr
(xlr8r podcasts)


Secret School "Phantoms"
Seattle's Hush Hush label (whose Decibel Festival showcase we highlighted in our recent review) will next release a self-titled EP from hometown producer Andrew Sutherland under his Secret School alias. To spread the word, the label has shared EP cut "Phantoms," a bliss-streaked production flush with emotional chords, echoed vocal drones, and grand, sweeping textures. Underneath all that, the track employs shuffling rhythms and light snare rolls, further giving the tune a relaxed, introspective feel. Secret School's forthcoming EP is set to land via Hush Hush on October 13; in the meantime, a teaser video for the record and the its full tracklist can be peeped after the jump. read more
(xlr8r news)


Les Sins Streams New Track from 'Michael' LP
The second single from Michael, the forthcoming debut LP from Les Sins (a.k.a. Toro y Moi), has surfaced. read more
(xlr8r news)


Funkineven
Funkineven first surfaced in 2009, during a time when young UK producers were often being lumped together because of a single commonality"they weren't making dubstep. And though it's true that Funkineven wasn't making dubstep, it's also true"and far more interesting"that the London-based producer never sounded much like any of his peers, either. While his contemporaries flirted with R&B, or big-room house, or abstract grime, Funkineven forged his own path, one which combined a raw, analog sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, Julien eventually formed his own label, Apron Records, which has become a reliable outlet in its own right, not only for Funkineven releases, but also as a home base for talents like Seven Davis Jr and Greg Beato. Julien has also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil. Thr
(xlr8r podcasts)


Matrixxman
A lot of the chatter surrounding Matrixxman (a.k.a. Charles McCloud Duff) tends to focus on what he's done in the past, but in all honestly, the San Francisco producer's recent track record has us a lot more excited about his present and future output. Over the past year or so, Matrixxman has released one quality record after another, issuing house and techno tunes (both solo and collaborative) for the likes of Fifth Wall, Unknown to the Unknown, Classicworks, Deft, and Soo Wavey, the label he runs in tandem with frequent production partner Vin Sol. (The pair's white-label reworks of Sade have also caused quite a stir.) Next week, he'll be making his first appearance on Ghostly's Spectral Sound imprint, which will be presenting his new Amulet EP. To mark the occasion, we've enlisted him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


JTC's EM15 Mix
Looking back through the history of XLR8R, it's hard to believe that Tadd Mullinix was never commissioned to put together a mix for our podcast series. It certainly wasn't for a lack of enthusiasm on our part; after all, the Michigan producer has been turning out high-quality electronic sounds for more than a decade, primarily as Dabrye and James T. Cotton (a.k.a. JTC). (For the record, he's also released music under his own name and has been involved with a number of excellent collaborative undertakings, including 2AMFM with D'Marc Cantu and TNT with Todd Osborn. Those looking for a more complete rundown of Mullinix's history should definitely take a look at this feature we did last year.) This week, Mullinix will be heading north of the border for EM15; the six-day event is something of a new conception, as it combines two long-running Montreal festivals, MUTEK"which is celebrating its 15th anniversary"and Elektra. With Mullinix slated to perform on Saturday afternoon as JTC, the project with which he's bee
(xlr8r podcasts)


Helena Hauff Announces Upcoming EP for Lux
A longtime resident of Hamburg's renowned Golden Pudel club and an increasingly active producer, Helena Hauff has revealed the details of her upcoming Shatter Cone EP. read more
(xlr8r news)


Matrixxman
A lot of the chatter surrounding Matrixxman (a.k.a. Charles McCloud Duff) tends to focus on what he's done in the past, but in all honestly, the San Francisco producer's recent track record has us a lot more excited about his present and future output. Over the past year or so, Matrixxman has released one quality record after another, issuing house and techno tunes (both solo and collaborative) for the likes of Fifth Wall, Unknown to the Unknown, Classicworks, Deft, and Soo Wavey, the label he runs in tandem with frequent production partner Vin Sol. (The pair's white-label reworks of Sade have also caused quite a stir.) Next week, he'll be making his first appearance on Ghostly's Spectral Sound imprint, which will be presenting his new Amulet EP. To mark the occasion, we've enlisted him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Call Super
In some ways, the story of Call Super (a.k.a. Joe Seaton) isn't particularly unique. Raised in the UK and now based in Berlin, he admitted in our Bubblin' Up profile last year that his background doesn't really set him apart from many of his peers. However, when one listens to his output, especially the records Seaton has offered up since he settled in with the Houndstooth camp, it's clear that Call Super isn't the average techno producer. Calling his music difficult would be a stretch, but it's undoubtedly challenging, even when it's focused on the dancefloor. His latest 12", "Depicta" b/w "Acephale II," which dropped just yesterday, was delivered with remarkably little fanfare and even less explanation, yet it's full of robust, propulsive rhythms. At the same time, its tunes are marked by ominous atmospherics, ghostly melodies, and crunchy percussive elements; essentially, the tracks exemplify how the Call Super sound is nuanced, complex, and designed to reward those listeners who are willing to sit back an
(xlr8r podcasts)


Call Super
In some ways, the story of Call Super (a.k.a. Joe Seaton) isn't particularly unique. Raised in the UK and now based in Berlin, he admitted in our Bubblin' Up profile last year that his background doesn't really set him apart from many of his peers. However, when one listens to his output, especially the records Seaton has offered up since he settled in with the Houndstooth camp, it's clear that Call Super isn't the average techno producer. Calling his music difficult would be a stretch, but it's undoubtedly challenging, even when it's focused on the dancefloor. His latest 12", "Depicta" b/w "Acephale II," which dropped just yesterday, was delivered with remarkably little fanfare and even less explanation, yet it's full of robust, propulsive rhythms. At the same time, its tunes are marked by ominous atmospherics, ghostly melodies, and crunchy percussive elements; essentially, the tracks exemplify how the Call Super sound is nuanced, complex, and designed to reward those listeners who are willing to sit back an
(xlr8r podcasts)


JTC's EM15 Mix
Looking back through the history of XLR8R, it's hard to believe that Tadd Mullinix was never commissioned to put together a mix for our podcast series. It certainly wasn't for a lack of enthusiasm on our part; after all, the Michigan producer has been turning out high-quality electronic sounds for more than a decade, primarily as Dabrye and James T. Cotton (a.k.a. JTC). (For the record, he's also released music under his own name and has been involved with a number of excellent collaborative undertakings, including 2AMFM with D'Marc Cantu and TNT with Todd Osborn. Those looking for a more complete rundown of Mullinix's history should definitely take a look at this feature we did last year.) This week, Mullinix will be heading north of the border for EM15; the six-day event is something of a new conception, as it combines two long-running Montreal festivals, MUTEK"which is celebrating its 15th anniversary"and Elektra. With Mullinix slated to perform on Saturday afternoon as JTC, the project with which he's bee
(xlr8r podcasts)


Listen to Caribou's Upcoming 'Our Love' LP
Though UK and European readers were in fact able to stream Our Love, the upcoming sixth studio album from Caribou, in full yesterday, those in the US curious the hear the upcoming LP can now do so as well. read more
(xlr8r news)


Kid Smpl
Kid Smpl (a.k.a. Joey Butler) isn't a particularly outspoken artist. The low-key Seattle producer (and former Bubblin' Up subject) maintains a relatively modest profile, quietly issuing music from his perch in the Pacific Northwest. Though his arrangements are often rather sparse, Butler's work has always been something of a hybrid effort, combining elements of instrumental hip-hop and R&B with leftfield bass explorations and pastoral melodies. read more
(xlr8r podcasts)


DIVA
Back in January of 2013, XLR8R was rather worked up about Paris Stabbing EP, the three-track debut EP from DIVA, a producer whose true identity was shrouded in mystery. Having been assured that more music was in the pipeline, we even tabbed DIVA as one of that year's Artists to Watch, but our excitement was initially met with, well, nothing, as the then-anonymous beatmaker remained silent for an entire year. However, when DIVA finally did speak up again, what he had to say was fairly significant, as he not only announced the launch of a new label, Obsession, but also revealed himself as Canadian producer Matt Didemus, better known as one half of Junior Boys. His young imprint officially began its run last month, dropping a four-track compilation EP that is still streaming here, and more releases are on the way. Ahead of their arrival, we thought now would be a good time to get a larger look at Didemus' current musical headspace, so we invited him to put together an exclusive mix for the XLR8R podcast series.
(xlr8r podcasts)


DIVA
Back in January of 2013, XLR8R was rather worked up about Paris Stabbing EP, the three-track debut EP from DIVA, a producer whose true identity was shrouded in mystery. Having been assured that more music was in the pipeline, we even tabbed DIVA as one of that year's Artists to Watch, but our excitement was initially met with, well, nothing, as the then-anonymous beatmaker remained silent for an entire year. However, when DIVA finally did speak up again, what he had to say was fairly significant, as he not only announced the launch of a new label, Obsession, but also revealed himself as Canadian producer Matt Didemus, better known as one half of Junior Boys. His young imprint officially began its run last month, dropping a four-track compilation EP that is still streaming here, and more releases are on the way. Ahead of their arrival, we thought now would be a good time to get a larger look at Didemus' current musical headspace, so we invited him to put together an exclusive mix for the XLR8R podcast series.
(xlr8r podcasts)


Kid Smpl
Kid Smpl (a.k.a. Joey Butler) isn't a particularly outspoken artist. The low-key Seattle producer (and former Bubblin' Up subject) maintains a relatively modest profile, quietly issuing music from his perch in the Pacific Northwest. Though his arrangements are often rather sparse, Butler's work has always been something of a hybrid effort, combining elements of instrumental hip-hop and R&B with leftfield bass explorations and pastoral melodies. read more
(xlr8r podcasts)


Mister Saturday Night
Over the last five years, Mister Saturday Night has become something of a Brooklyn institution, a well-curated, well-organized party run by a couple of bonafide music lovers, Justin Carter and Eamon Harkin. Guided by an open-minded musical vision (albeit one that leans heavily toward, house, techno, and disco), a real reverence for the salad days of NYC nightlife, and a concrete idea of what a party should"and should not"be, the two DJs have steadily built a substantial following on the dancefloor. Moreover, the two have earned a real sense of respect from their peers, especially those who appreciate Mister Saturday Night's attention to detail and its founders' obvious passion for their craft. In 2012, Carter and Harkin expanded their efforts and launched their own label, Mister Saturday Night Records, kicking off its run with Anthony Naples' Mad Disrespect 12", which was widely hailed as one of the year's best records. Since then, the high-quality stream of music has continued unabated, as the young label ha
(xlr8r podcasts)


Ultrademon "Where Do I Go"
Prolific Chicago producer Ultrademon will next land on the Moscow-based Hyperboloid label (helmed by recent XLR8R podcast contributor Pixelord) with the four-track The .XVX Files EP. read more
(xlr8r news)


Mr. Oizo Readies New Album for Brainfeeder, Streams Track
Mr. Oizo"a French producer who currently operates out of LA"is something of a cult figure, arguably best known for his crossover hit track "Flat Beat." His chopped-and-screwed hip-hop and electro-house has regularly seen release via labels such as Ed Banger, and on November 18, he'll make his debut on Flying Lotus'
(xlr8r news)


Mister Saturday Night
Over the last five years, Mister Saturday Night has become something of a Brooklyn institution, a well-curated, well-organized party run by a couple of bonafide music lovers, Justin Carter and Eamon Harkin. Guided by an open-minded musical vision (albeit one that leans heavily toward, house, techno, and disco), a real reverence for the salad days of NYC nightlife, and a concrete idea of what a party should"and should not"be, the two DJs have steadily built a substantial following on the dancefloor. Moreover, the two have earned a real sense of respect from their peers, especially those who appreciate Mister Saturday Night's attention to detail and its founders' obvious passion for their craft. In 2012, Carter and Harkin expanded their efforts and launched their own label, Mister Saturday Night Records, kicking off its run with Anthony Naples' Mad Disrespect 12", which was widely hailed as one of the year's best records. Since then, the high-quality stream of music has continued unabated, as the young label ha
(xlr8r podcasts)


Download a New Mix from Jam City
Jam City has shared Earthly III, a new mix that is available to stream and download now. read more
(xlr8r news)


Adam Marshall
Over the past year, XLR8R has focused a lot of attention on Adam Marshall, although the bulk of it has been directed at Graze, his collaborative project with XI (a.k.a. Christian Andersen). And while we stand firm in our enthusiasm for the duo's music, on occasion, it needs to be pointed out that Marshall is a quality house and techno producer in his own right. Furthermore, the Canadian-born, Berlin-based artist also heads up the reliable New Kanada label, which has been home to both his own output and efforts from the likes of Basic Soul Unit, The Mole, West Norwood Cassette Library, and several others over the course of its nearly decade-long run. Just last week, the imprint announced its 50th release, a forthcoming split 12" from Marshall and new act Crushfield. The record is actually slated to appear next week, so we decided to commemorate the occasion by asking Marshall to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Adam Marshall
Over the past year, XLR8R has focused a lot of attention on Adam Marshall, although the bulk of it has been directed at Graze, his collaborative project with XI (a.k.a. Christian Andersen). And while we stand firm in our enthusiasm for the duo's music, on occasion, it needs to be pointed out that Marshall is a quality house and techno producer in his own right. Furthermore, the Canadian-born, Berlin-based artist also heads up the reliable New Kanada label, which has been home to both his own output and efforts from the likes of Basic Soul Unit, The Mole, West Norwood Cassette Library, and several others over the course of its nearly decade-long run. Just last week, the imprint announced its 50th release, a forthcoming split 12" from Marshall and new act Crushfield. The record is actually slated to appear next week, so we decided to commemorate the occasion by asking Marshall to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Rewind: Caribou
Dan Snaith has a history with making music that reaches back to his mid-teens, but he didn't actually get his start as an artist until the age of 22, when he wrote a track called "Anna and Nina" for the Leaf label's third Invisible Soundtracks compilation. "The music I was making before that point was terrible," the Canadian musician, singer, and mathematician remembers with a chuckle, quickly adding that he's happy no one ever released his earlier songs. "I knew there had been a change from what I'd made before. I thought, "This is something that I don't feel embarrassed about playing for people, and someone might want to put this out." Humble as he is, Snaith was unwittingly at the precipice of a 14-year career as an artist when he finished "Anna and Nina" in 2000, and would eventually come to establish himself among the most beloved names in indie and electronic music alike. read more
(xlr8r news)


The Range
Although The Range (a.k.a. James Hinton) released a couple of low-profile EPs in 2011 and 2012, it wasn't until last year that the Rhode Island producer really caught fire. The Seneca EP found Hinton impressively dipping his toes into faster tempos, while Nonfiction, his subsequent debut full-length, offered a variety of bass-infused musical explorations. In terms of style, The Range is a difficult project to pin down; strong currents of hip-hop and R&B run through Hinton's work, and there's undoubtedly a certain cleanliness to his productions, but his vision extends beyond what's playing on mainstream radio. Last month, his development continued with the release of the Panasonic EP (another Hinton effort for the Donky Pitch label), but the record ultimately left us wanting a longer look at what The Range had to offer; as such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Pangaea
Pangaea (a.k.a. Kevin McAuley) is something of a mystery. On the one hand, he's one third of the braintrust behind Hessle Audio, a label that's widely recognized as one of the most innovative and respected imprints in electronic music. On the other, he's someone who seemingly prefers to operate in the background, often allowing his partners Ben UFO and Pearson Sound to do the talking and soak up the accolades. As such, Pangaea's talents and body of work can sometimes be overlooked, despite the fact that he's been responsible for a steady stream of quality tracks over the past seven years. In 2013, Pangaea did step out on his own a little more assertively, setting up the Hadal label as an outpost for his dark, increasingly techno-oriented creations. Pob, his excellent and most recent Hadal 12" from earlier in the year, stoked our desire to hear a more substantial dose of McAuley's individual artistic outlook, so we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r news)


Watch the Video for "Thievery," from Arca's Upcoming LP
Earlier this month, Arca unveiled plans to release his debut full-length via the Mute label later this year, sharing a stream of LP cut "Thievery" in the process. Today, the Venezuelan producer has revealed a new video to accompany the track, which was created by longtime collaborator and visual artist Jesse Kanda. read more
(xlr8r news)


Secret School "Phantoms"
Seattle's Hush Hush label (whose Decibel Festival showcase we highlighted in our recent review) will next release a self-titled EP from hometown producer Andrew Sutherland under his Secret School alias. To spread the word, the label has shared EP cut "Phantoms," a bliss-streaked production flush with emotional chords, echoed vocal drones, and grand, sweeping textures. Underneath all that, the track employs shuffling rhythms and light snare rolls, further giving the tune a relaxed, introspective feel. Secret School's forthcoming EP is set to land via Hush Hush on October 13; in the meantime, a teaser video for the record and the its full tracklist can be peeped after the jump. read more
(xlr8r music)


Joey Anderson
Over the past few years, a small cadre of veteran New York and New Jersey DJs"including the likes of Levon Vincent, DJ Qu, Jus-Ed, Anthony Parasole, and Fred P."has risen to prominence, and while these artists' individual styles may vary, there's still a loose philosophy, or at least a shared set of values, tying them together. Taking a deeply measured, historically informed, and intensely musical approach to the dancefloor, this group has opened the door for other like-minded producers to reach a wider audience. Joey Anderson is one such producer, and after filling 2013 with a string of high-quality 12"s and EPs, the New Jersey native and former Bubblin' Up subject has just dropped his debut full-length, After Forever, via the Dekmantel label. The album is an excellent piece of work, so much so that we wanted to hear more of what Anderson had up his sleeve. As such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Joey Anderson
Over the past few years, a small cadre of veteran New York and New Jersey DJs"including the likes of Levon Vincent, DJ Qu, Jus-Ed, Anthony Parasole, and Fred P."has risen to prominence, and while these artists' individual styles may vary, there's still a loose philosophy, or at least a shared set of values, tying them together. Taking a deeply measured, historically informed, and intensely musical approach to the dancefloor, this group has opened the door for other like-minded producers to reach a wider audience. Joey Anderson is one such producer, and after filling 2013 with a string of high-quality 12"s and EPs, the New Jersey native and former Bubblin' Up subject has just dropped his debut full-length, After Forever, via the Dekmantel label. The album is an excellent piece of work, so much so that we wanted to hear more of what Anderson had up his sleeve. As such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


The Range
Although The Range (a.k.a. James Hinton) released a couple of low-profile EPs in 2011 and 2012, it wasn't until last year that the Rhode Island producer really caught fire. The Seneca EP found Hinton impressively dipping his toes into faster tempos, while Nonfiction, his subsequent debut full-length, offered a variety of bass-infused musical explorations. In terms of style, The Range is a difficult project to pin down; strong currents of hip-hop and R&B run through Hinton's work, and there's undoubtedly a certain cleanliness to his productions, but his vision extends beyond what's playing on mainstream radio. Last month, his development continued with the release of the Panasonic EP (another Hinton effort for the Donky Pitch label), but the record ultimately left us wanting a longer look at what The Range had to offer; as such, we invited him to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Frankie Knuckles
The history of house music is littered with iconic characters, but the influence of Frankie Knuckles can't be understated. Often referred to as "The Godfather of House Music," the Bronx native got his DJ start in New York City alongside fellow legend Larry Levan, but it was only after he relocated to Chicago that he truly made his biggest impact. Serving as a resident at early house hotspots like the Warehouse and later at his own club, The Power Plant, Knuckles played an instrumental role in growing house from a small scene into a global movement. Over time, he also extended his talents into the production world, and eventually became one of house music's most in-demand remixers. Now, after more than 35 years in the game, Knuckles remains active, continuing to turn out both remixes and original tracks and regularly touring the globe. On June 14, he'll be performing he was scheduled to perform for Love Fever at London's Found Festival, sharing the stage with Moodymann, Bicep, San Soda, and more, and the festi
(xlr8r podcasts)


Ultrademon "Where Do I Go"
Prolific Chicago producer Ultrademon will next land on the Moscow-based Hyperboloid label (helmed by recent XLR8R podcast contributor Pixelord) with the four-track The .XVX Files EP. read more
(xlr8r music)


Frankie Knuckles
The history of house music is littered with iconic characters, but the influence of Frankie Knuckles can't be understated. Often referred to as "The Godfather of House Music," the Bronx native got his DJ start in New York City alongside fellow legend Larry Levan, but it was only after he relocated to Chicago that he truly made his biggest impact. Serving as a resident at early house hotspots like the Warehouse and later at his own club, The Power Plant, Knuckles played an instrumental role in growing house from a small scene into a global movement. Over time, he also extended his talents into the production world, and eventually became one of house music's most in-demand remixers. Now, after more than 35 years in the game, Knuckles remains active, continuing to turn out both remixes and original tracks and regularly touring the globe. On June 14, he'll be performing he was scheduled to perform for Love Fever at London's Found Festival, sharing the stage with Moodymann, Bicep, San Soda, and more, and the festi
(xlr8r podcasts)


Lee Bannon
Only two months have passed since we profiled Lee Bannon as part of this year's Bubblin' Up Week. Normally, we'd allow a little more time to pass before tabbing a Bubblin' Up artist for the XLR8R podcast series"if nothing else, for the sake of continued artist development"but in Bannon's case, it quickly became clear that the Brooklyn producer wasn't going to be waiting for anything. His debut LP for Ninja Tune, Alternate/Endings, dropped in January, turning heads with its blown-out aesthetic and frequent nods to drum & bass, yet Bannon has announced that he's already working on a follow-up. Given his prodigious work rate, we figured that Bannon might also be willing to take on our podcast series, and he not only delivered an exclusive DJ mix, but one that's stuffed with several of his unreleased tracks. read more
(xlr8r podcasts)


Rawaat "Exp 2 (Imre Kiss Remix)"
Earlier this year, the fast-growing Lobster Theremin label issued the Day Laborer EP from burgeoning Detroit artist Rawaat, a five-track effort which dealt in blurry tones and refracted grooves while also including a rework from Huerco S. read more
(xlr8r news)


Watch a Video from Fracture and Sam Binga's New EP
Fresh on the heels of releasing a collaborative EP, recent XLR8R podcast contributor Fracture and fellow Bristolian producer Sam Binga have shared a new video for the record's propulsive lead cut "She Want it Ruff." read more
(xlr8r news)


Mast "Astral Projection"
LA beatmaker Mast is an everything-but-the-kitchen-sink kind of producer. On "Astral Projection," a cut from Omniverse: Verse 1 (the first in a series of EPs set to drop via Alpha Pup), Mast folds hyper-speed loops, skittering rhythms, bouncing keys, and a bevy of kaleidoscoping guitars into the track's run. read more
(xlr8r music)


Efdemin
In recent years, the term "deep" has been used and reused, to the point where the word has almost no concrete meaning in the context of electronic music. That's why artists like Efdemin (a.k.a. Phillip Sollmann) are so important; there's little question that his work is "deep," but in Sollmann's case, the descriptor has a lot more to do with the actual depth and nuanced nature of his music than it does any specific sonic signifiers. He's long been associated with Dial Records, an imprint with a long history of thoughtful, detail-oriented house and techno. On March 31, the label will be delivering Decay, Efdemin's third full-length and an effort that was largely recorded in the serene environs of Kyoto, Japan. Ahead of its release, we've enlisted the veteran German producer to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Calvin Harris, Skrillex and more EDM and dubstep on ACL lineup - austin360
Calvin Harris, Skrillex and more EDM and dubstep on ACL lineupaustin360Much in the way every track with a quantized beat was called techno in the 90s, many people now refer to all electronic music as EDM. What originally was a description of electronic music writ large has over the past few years become an ...
(pipes search dubstep)


Lee Bannon
Only two months have passed since we profiled Lee Bannon as part of this year's Bubblin' Up Week. Normally, we'd allow a little more time to pass before tabbing a Bubblin' Up artist for the XLR8R podcast series"if nothing else, for the sake of continued artist development"but in Bannon's case, it quickly became clear that the Brooklyn producer wasn't going to be waiting for anything. His debut LP for Ninja Tune, Alternate/Endings, dropped in January, turning heads with its blown-out aesthetic and frequent nods to drum & bass, yet Bannon has announced that he's already working on a follow-up. Given his prodigious work rate, we figured that Bannon might also be willing to take on our podcast series, and he not only delivered an exclusive DJ mix, but one that's stuffed with several of his unreleased tracks. read more
(xlr8r podcasts)


Sirma "Trigger (Blue Hawaii Remix)"
Earlier this month, Brooklyn-via-Istanbul artist Sirma (pictured above) issued her solo debut, the four-track Instincts EP, which the classical pianist/jazz vocalist-turned-adventurous pop singer offered for free download. read more
(xlr8r music)


4 Jacks Pt.2 - 15 Years of Poker Flat
Release date:  11/03/2014 Poker Flat Recordings has been dealing out underground house music with a unique twist since 1999; from the defining debut "Loverboy" through the Bugnology series, acclaimed albums and worldwide club hits, Steve Bug's essential imprint has unearthed new talent, developed rising stars and welcomed veterans into the fold. read more
(Pokerflat Recordings)


Event: Sam Paganini at Rise, Sat, Oct 18 11:55p
Italian techno star Sam Paganini (Drumcode / Cocoon / PLUS8) makes his Boston after-hours debut! For more info on the party & artist, please click "Event website" to the right!
(boston.com calendar )


Events BANGFACE Holland - Halloween Special - Fri 31 Oct, Rotterdam
BANGFACE HOLLAND - HALLOWEEN SPECIAL!Our first party in Holland to honour the Dutch Hard Crew 10pm - 7am / Friday 31 October @ Factory 010,Maashaven ZuidZijde 1, 3081 AE Rotterdam, NetherlandsAltern-8 (aka Mark Archer & Mr. Nex)Ray KeithDJ Ruffneck (old skool set)Bizzy BBong-Ra vs DeformerHellfishMike Dred (aka Kosmik Kommando)DJ Scotch EggThrasherFFFX&TrickDave SkywalkerWeyHeyHey !!Stoornis030303 DJsSaint Acid20 eTickets > http://www.bangface.comshare > https://www.facebook.com/events/1475856672656033BANG FACE HARDE KERN!BANGFACE - An Explosion of Acid, Jungle, Rave Hardcore,Drum & Bass, Breakcore, Bass, Techno and Mash-up Electronica!Statistics: Posted by Saint Acid " Sat Sep 27, 2014 11:58 am
(c8.com)


Sunrise - Sacred Circles 04/10/14
Back after our summer adventures and ready to kick off 2014 Autumn Northern Psy Trance season with Sunrise Zone (Full on Psy Trance) AVALON Techno Hippie Ed Tangent Onney Wayne Psybase The Beats Bizzare (Breaks n Ting) +++Broken records jellyfish
(allevents.in/Leeds)


Oct 17th 14 - APHROHEAD AKA FELIX DA HOUSECAT @ SPYBAR
APHROHEAD aka FELIX DA HOUSECAT @ SPYBAR Friday, October 17Aphrohead -Felix Da Housecat's techno alter ego- makes his first appearance in his home town in many years, bringing thee Glitz back to the Spybar dance floor.EARLY BIRD DISCOUNT TIX AVAILABLE NOW!FELIX DA HOUSECAT (U.S.)Felix da Housecats 2001 album, Kittenz and thee Glitz, turned the dance music world on its side as his collaborations with the now infamous Miss Kittin on Silver Screen and Madame Hollywood and Melistar on Harlot and What Does it Feel Like spawned a synth club revival...More info - http://www.residentadvisor.net/dj/felixdahousecatLIKE US on Facebook - http://www.facebook.com/chicagospybarCHECK US OUT online - http://www.spybarchicago.com/FOLLOW US on Twitter - @SpybarSPYBAR646 N. Franklin (between Ontario and Erie)10pm-4am | 21+ | parking/valet available
(clubtix.)


Oct 25th 14 - DUSKY
DUSKY @ SPYBARFriday, October 25At last! British house duo Dusky make their looooong awaited Chicago debut at Spybar on Friday 10/25! Tickets highly recommended, this WILL sell out!DUSKY (U.K.)Dusky are London based musicians Alfie Granger-Howell and Nick Harriman. As comfortable writing elegant orchestral pieces or stirring piano motifs as they are jackin house and epic techno grooves, Duskys diverse sounds are united by the duos singular aim " to compose electronic music with depth, soul and originality.LIKE US on Facebook - http://www.facebook.com/pages/Spybar/chicagospybarCHECK US OUT online - http://www.spybarchicago.com/FOLLOW US on Twitter - @SpybarSPYBAR646 N. Franklin (between Ontario and Erie)10pm-4am | 21+ | parking/valet available
(clubtix.)


Efdemin
In recent years, the term "deep" has been used and reused, to the point where the word has almost no concrete meaning in the context of electronic music. That's why artists like Efdemin (a.k.a. Phillip Sollmann) are so important; there's little question that his work is "deep," but in Sollmann's case, the descriptor has a lot more to do with the actual depth and nuanced nature of his music than it does any specific sonic signifiers. He's long been associated with Dial Records, an imprint with a long history of thoughtful, detail-oriented house and techno. On March 31, the label will be delivering Decay, Efdemin's third full-length and an effort that was largely recorded in the serene environs of Kyoto, Japan. Ahead of its release, we've enlisted the veteran German producer to put together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Portable
Veteran house specialist Alan Abrahams has been somewhat quiet over the past few years, as barely a peep has been heard from either his ambient-inclined Portable moniker or his more dancefloor-oriented Bodycode alias. In fairness, a new Portable EP on Abrahams' Sd Electronic label is reportedly in the works, as is a new 12" for Perlon, but in the meantime, the South African-born artist has offered to provide a window into his current musical headspace by putting together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Portable
Veteran house specialist Alan Abrahams has been somewhat quiet over the past few years, as barely a peep has been heard from either his ambient-inclined Portable moniker or his more dancefloor-oriented Bodycode alias. In fairness, a new Portable EP on Abrahams' Sd Electronic label is reportedly in the works, as is a new 12" for Perlon, but in the meantime, the South African-born artist has offered to provide a window into his current musical headspace by putting together an exclusive mix for the XLR8R podcast series. read more
(xlr8r podcasts)


Heatsick
Much of the attention surrounding Heatsick (a.k.a. Steven Warwick) focuses on his relatively spartan set-up, as the UK-born, Berlin-based producer makes music with just a Casio keyboard and a series of guitar pedals. It's certainly intriguing that Warwick relies upon these rudimentary tools, but fixating on his process does his music something of a disservice, as his intricate, loop-based creations are noteworthy in their own right. Heatsick releases have been popping up since the mid '00s, but there's little question that Warwick's efforts for the PAN label in recent years, especially 2013's Re-Engineering, have significantly elevated his stature. Still, after hearing so many of his original creations"many of which sound like off-kilter takes on house music by someone who most definitely didn't come of age in that scene"we found ourselves wondering what exactly a Heatsick DJ set would sound like. He's responded to that question with Back 2 Asics, an exclusive mix and the latest installment of the XLR8R podca
(xlr8r podcasts)


Interface 49 | ADE | 10.17
INTERFACE 49 / ADE (NL) has been announced. This is a special announcement to inform all mailing list members about the following event. REAKTOR + DROID BEHAVIOR collaborate once again for the 2nd installment of Interface ADE edition. The event will take place at AMSTERDAMN STUDIOS on Friday October 17 and boasts two rooms of world class talent including Drumcell / Raz / Truncate / Hyperactive / DJ Deep / 0 PHASE / + more tba music by: Drumcell (USA) Truncate (USA) Raiz VRV (USA) DJ Hyperactive (USA) Luis Flores (live) (MEX) Dean Paul (USA) //Video by: OKTAform Studio 3: DJ Deep (FR) Phase (UK) Staffan Linzatti (live) (DE) Alex.Do (DE) Albert van Abbe (live) Sinfol CLICK HERE FOR INTERFACE PRESALES CLICK HERE FOR INTERFACE ON RA CLICK HERE FOR INTERFACE ON FB Related posts: Review: Interface 44 | Amsterdam Droid European Tour / Fall 2013 INTERFACE 39 / 10 YEAR ANNIV: MARCEL DETTMANN AT THE COMPLEX | 11.17
(droidbehavior)


Celebrating 15 Years Of Poker Flat with a series of singles!
Celebrating the 15th anniversary of Poker Flat Recordings in 2014 we're not only about to host a series of events all over the place but also issue a musical mainfesto dedicated and connected to this special occasion. Expect a series of 12" single releases featuring re-worked Poker Flat Recordings, brand new cuts as well as contributions from producers we've loved for a while but haven't appeared on the label before. To be released under the name of  Four Jacks the first part of this - guess what? Listen read more
(Pokerflat Recordings)


Rawaat "Exp 2 (Imre Kiss Remix)"
Earlier this year, the fast-growing Lobster Theremin label issued the Day Laborer EP from burgeoning Detroit artist Rawaat, a five-track effort which dealt in blurry tones and refracted grooves while also including a rework from Huerco S. read more
(xlr8r music)


Watch a Short Documentary on the Immersive 4DSOUND System
Produced by Ableton, a new documentary takes an in-depth look at 4DSOUND, a mobile sound system which features a three-dimensional grid of 48 speakers. read more
(xlr8r news)


Par Grindvik in Melbourne
Well its been a long time coming, but finally thanks to the Silo Production crew Par Grindvik finally makes his way to Melbourne. Here is the write up from the Silo Production Crew Not much to …
(MelbourneTechnoCollective)


Events "THANATOPOLIS" 2014-10-10 | CZ, Praha w/ MK9 (industrial,..)
Phuture Unknown presents Sombre Passage TowardsTHANATOPOLIS Chapter I., Power electronics industrial ambient noise scheme MK9 live PA | Neural Operations, USAhttp://www.mk9.orgBLACK HIGHWAY / MITAKUYEOYEASIN live PA / live | Phuture Unknown / Talaqpo, CZ http://www.soundcloud.com/black-highwaySWEEPS04 live | CZhttp://www.bandzone.cz/sweeps04MiM live PA | Biocore, CZhttp://www.noiseofmim.netVYEDMA live | Phuture Unknown, CZ/UKDAY16 live PA | CZhttp://www.bandzone.cz/day16MONOKINETIC live PA | Ill FM, UK/CZYARRDESH live PA | Peace Is Dead, CZHEAVYN | Subconscious Terror, CZbSULFUR | Kfm, CZ 10.10.2014USEDLOST CIBULKAhttp://cibulka.squat.netCZ, Praha 5 - Smchov, tram 9, 10, 16, 58 "Potovka"open door 20:30 """""""""Statistics: Posted by The Phuturists " Sun Sep 28, 2014 8:24 pm
(c8.com)


Nuage "Wandering Waves"
On his Prints of You LP, St. Petersburg-based producer Nuage is said to explore a range of electronic styles"from the cooler ends of 120-plus bpm house to fast-paced, drum & bass-indebted fare. Featured here, "Wandering Waves" falls in the former category, finding Nuage crafting a piece of moody, deep-reaching house that comes peppered with tinkling keys, washy flutes, ghostly vocal samples, and the occasional"by design"rhythmic stutter. read more
(xlr8r music)


Identity Fest - Mansfield MA - 8.20.2011
A picture says more than 1000 words posted a photo:
(Flickr (Dubstep))


Objekt Streams First Track from Upcoming LP for PAN
Adventurous Berlin producer Objekt has shared "Second Witness," the first cut to surface from his upcoming debut LP for PAN. read more
(xlr8r news)


Identity Fest - Mansfield MA - 8.20.2011
A picture says more than 1000 words posted a photo:
(pipes search dubstep)


SBTRKT review " revelling in mystery
Appropriate to his meditative and technical mix of post-dubstep, house and techno, SBTRKT goes firmly for the latter. As strobe lights silhouette Aaron Jerome plus a drummer and a multi-instrumentalist on a blackened stage, they appear as if trapped in a ...
(pipes search dubstep)




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