Everyone should take a moment to check out the website for my upcoming Indie Movie Six Bullets. Tell me what you think!

Release Date: 28th June

Label/Distributor: Vitamin Records

Most bands would say one drummer is enough, but more is more in the world of Percussion Junction. Packing beats like soldiers pack bullets, the boys have declared all out war on dance floors' across the nation.

Their debut album 'The Beat Cartel' is a 100-proof brew of Afro-Latin drumming distilled with hip hop, reggae, electro, house and breaks. As an organized funk syndicate, 'Junction' composes with an orchestral army of percussion. Kane Goodwin (drum kit) Matty Bourne (congas, bongos & djembe) and Paul Issa (Doumbek) are backed by Benjamin 'Bentley' Chinnock on decks.

With Triple J picking up the beat and FBI already dropping it as album of the week, the boys have supported international and local acts Krafty Kuts (UK), Talvin Singh (UK), Panjea (US), Koolism, Kid Kenobi and Ajax. They've taken over Sydney venues like The State Theatre, The Basement and Telstra Stadium and played to sell out crowds at The Amnesty International Freedom

Copyright: Silver Bullets;

From: BulletForge.com To: [Recipient]

Date:

Here comes percs second kompakt release. "Headphone Heart" is as breathtaking as his earlier "Up". On the flip side, the silver bullets from france, Tom Pooks + St. Thomas go strong with "Remember". http://www.humpty.de?id=47&aid=13232&lang=en

Although it isn't a full course, 30 Days of Night satisfies the thirst for a sizeable vampire horror.

Many motion-pictures have come and gone in the vampire genre. Most are worn out with bloody fangs, silver stakes, death by sunlight, bats, garlic, human-to-vampire transformations, and ubiquitous Dracula references or appearances. The vast majority of these features include red liquid by the bucket and too many bullets to count.30 Days of Night...

This one hit me by surprise. Alex at Union 2112 kept asking me if I had given this album a spin but alas, I was neglectful. Let's put all that behind because The Flatliners have given me one of the best punk albums of 2007. Seriously! The Great Awake is one of those albums that is catchy but still angry. The hooks are plenty and the vocals are sung with a bit of a punk sneer but just as well. They have a bit of the Dropkick Murphys style mixed with that of No Use For A Name. Before you run off screaming "I don't need anymore!" you need to know that The Flatliners are fantastic at what they do.

The Great Awake is the band's follow-up to Destroy To Create. It starts out with an obvious party anthem "July! August! Reno!", a fantastic way to get the new listener into this fantastic band. "Eulogy" change things up slightly but keeps up the pace. The main thing you will notice with The Flatliners on this album is that they have that pop-punk feel similar to that of NOFX but they also integrate some ska influences

Milestones in the early days of reggae, disco, hip-hop, electro, techno, and house. Key: Jamaica Chicago New York City Detroit Europe 1956 Winston “Count” Machuki begins deejaying (toasting) over music at Jamaican lawn dances 1957 Duke Reid, Clement Dodd, and Prince Buster start recording exclusive instrumental acetates for their sound systems 1964 King Tubby builds his sound system with a reverb unit 1967 Francis Grasso begins spinning at Salvation II; first club DJ to slip-cue and the inventor of beatmatching 1970 First David Mancuso Loft party in NYC Pete DJ Jones and DJ Kool Herc (right) start spinning breaks at clubs and block parties, respectively 1971 First commercially released reggae singles with instrumental versions Bozak audio mixer commercially available 1972 King Tubby creates his first dubs 1973 DJ Hollywood starts rapping in NYC clubs 1974 Grandmaster Flash (right) invents cutting Tom Moulton creates his first extended mix; DJ-only promo pressin

In The Clash's decade long career, they created a vast number of songs ranging from a staggering amount of musical stylings. It's a known fact that in any good music collection, the band's self-titled debut and their magnum opus London Calling should be in there. These albums are in and of themselves greatest hits. But tackling their later albums can be daunting. But this collection, The Essential Clash, is a nice starting point for getting into the band's more obscure side. The first disc is compiled with the band's early classic punk rock works. Thirteen (!) out of twenty of the songs are from the two versions of their self-titled album. There are also a few tracks from their underated sophomore effort Give 'Em Enough Rope and two B-sides ("Capital Radio One" and "Groovy Times") that can be found on the Black Market Clash EP and the extended Super Black Market Clash. The second side is the one people will be more interested in. Eight out of twenty tracks are from London Calling while the rest come from the

It's always hard to dislike a movie that's so self-aware that it recognizes its own weaknesses and embraces them in an attempt to make them a strength. While 1988's Die Hard is unquestionably an action movie classic, it's also a rather odd foundation for a film franchise. Sure it spawned three sequels, each with increasingly silly titles, but there's little in the way of connective tissue between them, aside from the star, his character's name, the fact that he runs into terrorists more often than Jack Bauer and spends a lot of time talking over walkie talkies, radios and, eventually, cell phones. While each of the three previous Die Hards had their pleasures, it's been almost 20 years from the original, and 12 since the last one. So now out of Hollywood limbo comes Bruce Willis as the lucky/unlucky supercop John McClane, older, wrinklier and balder, but still a fairly ideal film hero to ride shotgun with for a an hour and a half, or, in this case, over two. Willis' age, and that of the franchise, is, it

The Connexion Bizarre (dot) net website was updated on 2007-07-02 with a new webcast, new reviews, a new interview and new recommended events and links.

Interviewed this week was Squid a.k.a. Rock'n'Roll Super God It-Clings.

Reviewed this week were Connect_icut "LA (An Apology)", One Man Nation "Rained And It Rained, Bullets It Rained", Dyspraxia "A Pound Of Flesh"

This week's webcast features "Playlist #33" with music selection by Joand "The Waiting Game" with music selection by M.

This is also the last week for the give-away competition of It-Clings' debut album "the all too logical descent into madness" of which we have 3 copies to give away on July 8th (details behind the cut).

It-Clings vs. Pneumatic Detach "The All Too Logical Descent Into Madness" CD give-away

We have 3 copies of "The All Too Logical Descent Into Madness", the new album by It-Clings and Pneumatic Detach recently released on the Bugs Crawling Out Of People record label, courtesy of the label and the artist.

"Spoken wordcore pro

"I have plenty of psycho fans, they send me odd things. I have one that sent me a bag of bullets. I also have a fan in Portland that says hes a doctor and always offers to give me free botox injections after the party."

Last summer it was Bush’s "Operation Forward Together." Today it’s, "We’re not winning, we’re not losing." Huh? Additionally, whatever name you give it, no matter how it is accomplished, the Iraq Study Group‘s “The Way Forward” is merely the way out. The group took 9 months to tell us what we already knew: “The situation in Iraq is grave and deteriorating.“ One of the ISG members, Vernon Jordan, said, “We didn’t talk about how we got here,“ which must have been exceedingly difficult, considering the majority of Americans can hardly think about anything else. Which means, from the ISG point of view, we must not look back. We must only look ahead, away from the negative. Away from American dissenters accused of being traitors. Away from Cheney lying again and again about Saddam’s connection with Al-Qaeda. Away from Cheney’s secret energy meetings and his no-bid contracts to cronies. Away from torture and the loss of habeas cor

New York City police pumped 50 bullets into a car carrying three unarmed African-American men in the early morning hours of November 25, killing one man on his wedding day.