8 months ago
Pineapple Tribe
Friday, 27th September 2013
Jamm, 261 Brixton Road, Brixton, SW9 6LH
If you've ever seen Pineapple Tribe at carnival you'll know what to expect from them, and they've also brought in the big guns for their first ever event at Brixton Jamm, consisting of the Plump DJ's - one of the biggest names in breakbeat, and the legendary Meat Katie will be making a rare London appearance

They'll also be showcasing some of the newest and most exciting talent from the breakbeat scenes, including a rare opportunity to see some of London's finest underground DJ's.

Coming out of the free party scene of the early 90's, Pineapple Tribe have been entertaining crowds ever since with their distinctive mix of breaks, old school hardcore and techno, including hosting a stage at Notting Hill for almost 20 years too

The Line up:
Room 1

Room 2
Mike Lewis (Hub Sounds)
J-Rae (Reclaim the Beach)
Freshold & Retrix
Axon (Kane FM)



11 months ago
Ginglik's Friday Shakedown
Friday, 7th June 2013
Ginglik, 1 Shepherds Bush Green, Shepherds Bush, W12 8PH
Jamie (Tomb Crew)
Cementing themselves as DJ's "with a live act feel" for those people who need to dance, have been steadily tearing down raves from Newcastle to New York in the last few years

Constant touring has seen them play alongside the worlds biggest DJ's in the worlds biggest clubs, and allowed them to form musical bonds with people who love bass music!

DJ ShortyDJ Shorty plays the tunes you wish you had never forgotten and leave you with something to remember

He's all about good times with good music, whatever genre it falls into

Most of all, he plays for the people, not to the people.


Disco Shed with Dr Alex Paterson (The Orb)
Friday, 21st June 2013
The Book Club, 100 - 106 Leonard Street, Hoxton and Shoreditch, EC2A 4RH
Music policy: Eclectic party mash-up including disco, breaks, hip hop, reggae, indie, soul, funk

Bona fide pioneering legend D. Alex Paterson should need no introduction- as the Orb, he invented ambient house with classic tunes like Little Fluffy Clouds, Perpetual Dawn and Blue Room, and his influence can be heard all over electronic music today

And in support, Disco Shed welcomes another old friend, the inimitable Dr Rubberfunk

Regularly featured on the Craig Charles Funk and Soul Show, this vinyl connoisseur and supremely skilled decksmith has already played The Book Club at a daytime event

His brilliant new album Hot Stone is out now on Jalapeno Records.



10 months ago
Supatronix & Official Elite Force Boat Party Afterparty
Saturday, 13th July 2013
Jamm, 261 Brixton Road, Brixton, SW9 6LH
The night features two sets from eclectic legend Elite Force himself, the first being a rare back to back appearance with long-time collaborator Meat Katie, and the second a special early hours performance under his new Simon Shackleton monicker

Co-headlining, we have the debut full-length UK set appearance from Spanish breaks legend Colombo

A Breakspoll-winner and hero of the scene, he's never played in Britain outside of the annual breakbeat awards, so this is a rare treat indeed for the heads

Support in room one comes from Supatronix's Jurassik and Se7en Deadly Breaks (newly crowned best breakthrough DJs at Breakspoll), along with California-based breaks DJ The Scritch, the globetrotting hero of the Nexus stage at the annual Burning Man festival in the States

In room two, tech icons Mike Hulme and Resistance are joined by Supatronix regulars Miss Monument and B-Roll.

Visuals in both rooms will be provided by regular Elite Force collaborators Meat Cassette, so this will be something special to look at too

The Line up:
Room one:

Elite Force vs Meat Katie (Back2Back UK Exclusive)
Colombo (Debut full length UK set)
Se7en Deadly Breaks
The Scritch
Visuals / Mapping by Meat Cassette

Room two:

Simon Shackleton (Sunrise Set)
Mike Hulme (U&A /Stereophoenix)
Resistance (Lowdown & Dirty)
Miss Monument
Visuals by Meat Cassette

More information on the boat party and joint tickets which get you into both events here:




via Choqok

2 months ago
#KDE releases first KDE Frameworks 5 Alpha! http://bit.ly/1hjpnID

Build #ArchLinux packages yourself :-)


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5 months ago
These warning lights are meant to help alert you know when something is wrong with your car. If you have car parts replaced, remember this. The National Institute for Automotive Excellence provides the seal of approval is a good sign. It is not true that you need a mechanic's services to attend to these routine jobs should be left to the professionals. You need to look through this manual and learn how to use it so you can locate useful information quickly. They also attend training throughout the course of their employment.

OEM is also known as the Manufacturer's Original Equipment. Use the tips from this article and you will be able to get quality service for your vehicle.
. Ignoring those for a long http://sanming-plastics.com/2013/10/15/recovery-tracks-2/ time will only make the problem much worse than it already is.

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Look at flashing lights on the dashboard and learn what each one signifies. If you are educated about car repairs, you will be able to worry less. Use a good wax to protect your paint job as much as you can.

Make sure that you replace old parts with OEM parts. This will allow you to have less likely to receive used parts.

Car trouble can be very difficult to deal with. Your manual has all that you need to know about maintaining your vehicle and performing small repairs yourself.

You can easily do some preventative maintenance such as adding more oil or top up your windshield fluid on your own. You sound better educated on auto repair by telling your mechanic to install OEM parts. You may need new windshield wipers if the ones you have are streaking or making noises and leaving streaks on the glass.

Not that many people invest the time in reading their car's owner manual. This will let you know how they handle customers and how good they are at solving any problem you may encounter. They have been trained to fix problems that are common with your car. All cars will rust up eventually, but you can delay the process considerably by making sure any salt or chemicals are washed off as soon as possible. The jack needs to be reliable so you are safe when you go under the car secure above you. The following article below has the information you need to keep your car in peak condition.

Never underestimate the value of keeping an emergency kit inside your vehicle. This information can then be used to get with a big part in the shop you comfortable.

It can be dangerous to fix your own car.Always have someone to be near you in case there is an emergency were to happen. This kit should include specific tools for charging your battery, jumper cables, and an empty container that is appropriate for re-fueling your gas tank.

Don't underestimate how important it is to keep an emergency kit inside your vehicle. You should learn how to do the work, as long as you have the proper skills and knowledge.

If you have been having minor car issues, it may be a good idea to have it checked out anyway. It may cost twice the amount later as OEM components to begin with.

Look at the reviews of different local auto shops online. These parts are original parts designed by the manufacturer. If you keep ignoring them it'll make the problem later on.

Do not forget about your wiper blades. These lights give you a good indication of when something is wrong with your car. You don't know the quality of these parts as time goes on, though generic parts may be cheaper. If don't pay attention to it, a small problem can become a big one.

Although mechanics from your dealer are usually expensive, most of the time they offer the best experience.The people who work there are specialists concerning your brand. This is especially true of your tire changing tools. That's why it's best to get a good hydraulic floor jack with approved jack stands that are approved.

Look at all lights on your dashboard and learn what each one signifies. Buy only the highest quality tools that will not break easily. A primer on basic auto repair is a necessity for anybody who owns (or even just drives) a car


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6 months ago
If the cost of a 4-year degree is beyond what you can afford, this is a good option.

Hopefully, now that you are done with the article, the fear has subsided a bit. Then your exercise time also becomes a social time too.

Your mother isn't coming with you to college. The reason a lot of people are uncomfortable going to college is because they are not sure what to expect. Best of luck to you!
. Libraries are an exceptional choice. You will know that the college that you are going to has the classes that will best prepare you for that career. Still maintain a nutritious diet, get proper sleep, and take care of your and yourself possessions, although some indulgences are okay. A dorm room is probably not the greatest study environment. You can get a good coffee maker at a reasonable price if you keep an eye out for sales.

If you are a man or a woman, hitting the gym on campus is always a great idea, no matter. Securing money in advance is the safest way to approach things. It is rare to need campus security however, it is better to be safe than sorry.

Your surroundings can make a huge difference when you are trying to study. Even if the things you're hearing are something you already know, make a habit http://www.onlineuniversityfaq.com/what-you-need-to-know-when-researching-an-online-university/national-versus-regional-accreditation-for-an-online-university/ out of writing everything down.

Make sure you take breaks. Set aside time in your schedule to properly care for yourself. You can become ill as a result of stress and poor nutrition.

Know the number to campus security. The costs can add up quickly. Being ready for school is key. There is always time to go to university when you have taken core courses. Find a solid system for managing your deadlines and submit your applications in a timely manner.

When preparing to attend college, sit down and write a list of all the items you'll need to bring. Moreover, in four years you don't want to find yourself the sole senior in a classroom of only freshmen.

Take notes in class. It's important that you are aware of a fast way of contacting the campus police in case of an emergency. For each hour you devote to your studies, you should take a 15 minute break to refresh your brain. If you overdo it, studying won't be as effective. Use all that you've learned from this article to help you reach your goals. Note taking helps you remember information later on. It's a lot cheaper, though it might not be quite as convenient as visiting the neighborhood coffee shop. It is a cheaper way to finish some general education classes. If you plan well, study hard and have the correct tools, clearly, it is easy to graduate from college. Educating yourself about college life will help you be prepared for the transition.

Apply to scholarships and other grants early. College is something most people enjoy. If you do not have any other choice, buy some noise-canceling headphones.

In your first semester, you should take some gen ed classes. Brew your own coffee. If they can help you get the education you require, speak to admissions to find out.

Even if you love coffee, don't purchase it at a cafe. Not only does exercising help you to stay focused, but the gym is also a great place to meet new people. In order to graduate, it is best to take it sooner rather than later, when there is a class you need. Before a test, this also makes it easier to go over the information. It can also be something people are afraid of. If you go to school far away, this is important.

Know which college best suits your career path. Find a place where you can be alone with your studies. Create a schedule that you can follow and commit to it.

It can be a very smart strategy to attend a community college for the first two years of your college education


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6 months ago

Huge changelog for MythTV 0.27 - http://www.mythtv.org/wiki/Release_Notes-0.27

Impressive stuff, but I'm sure that as always a) bugs that have bugged me forever remain, b) horrible new features need disabling, c) upgrading will break lots of things. So it doesn't sound like I'm a big fan of this software, but actually I am. Figure that one out if you can.

Vitamin B Feat. Marten HØRGER at House of Yes, Fri, Aug 16 11:00p
House of Yes, 342 Maujer St.,
Vitamin B feat. Marten HRGER Get ready for another installment of our increasingly inaccurately categorized 1 st Friday Breaks Party. Breaks? Yep. Party? Damn right!. 1 st Friday? Well? But, as usual, we have an excellent excuse. You see, I thought Tektite had the keys to the party and he thought Barney Iller had the keys. We now suspect that Guncle may have hidden them in one of his interns, but he is being uncooperative. We had to hotwire the party and now we?re ready to roll. An even better (and more believable) excuse is that we were able to book Marten HRGER on 8/16 so we went for it. We?re really excited to have him at the party. He?s a hell of a producer and a hell of a DJ and he?s coming all the way from Stuttgart, Germany. We?ve also got DJ Dane from the Dusty Rhino in San Francisco. Wait, two out of town guests, one from Germany and still only $10 presale?? What?!? This is the last Vitamin B at the current House of Yes location. Come send us out with a bang! MARTEN HRGER | Smash Hifi, Stamina ? Stuttgart, Germany He?s your favorite artists? favorite artist! Marten Hrger has been publically hailed as the bonified hero of the Stanton Warriors, the Plump DJs and Krafty Kuts, and was slated to be the man to watch by DJ Icey ? all within the space of 12 months! These praises have been backed up with commissions to provide official remixes for all three superstar acts. And all this while hes in the studio with Leeroy Thornhill (the Prodigy) to record an Album as Smash HIFI) This reputation for being a party animal led to international bookings the world over - from Brixton to Brisbane to Ibiza and Siberia; including four Australian tours, three North American tours, and billings at major festivals and internationally renowned institutions such as the Love Parade, Fabric, Shambhala, Snowbombing, Mayday, KaZantip, Streetparde, Tresor, Breakspoll, Nature One, Notting Hill Carneval and many more. Apart from being a DJ, Producer, party connoisseur, and all-around-nice-guy, Marten runs several monthly club nights in Germany and Austria including the infamous, ?Stamina Club?, which has just celebrated its 10th anniversary, with its booking and artist management, side arm, ?Stamina Agency?, responsible for bringing the world?s premier bass music artists to Germany and Austria. https://soundcloud.com/marten-horger DJ Dane | Dusty Rhino, I like it Dirty ? San Francisco DJ Dane is known for his dirty, bouncy, sexy, booty-shakin' style. You'll find him with a smile performing at clubs, undergrounds, renegades and festivals in San Francisco, Burning Man and beyond. He produces the popular I Like it Dirty Podcast, a unique blend of breaks, electro, progressive, tech and house. He is a resident DJ of Burning Man's Dusty Rhino. And of course, your favorite residents: TEKTITE | Vitamin B / Blackbird Squadron ? Brooklyn, NY Barney Iller | Vitamin B / Mischief ? Brooklyn, NY Tim The Enchanter | Vitamin B ? Brooklyn, NY Check out our live sets from the last Vitamin B (7/12/2013) Tim The Enchanter https://soundcloud.com/spacecowboys/tim-the-enchanter TEKTITE https://soundcloud.com/spacecowboys/tektite-vb DOOR: GUNCLE | Vitamin B, NYC Visuals by VJ DoctorMojo http://mojovideotech.com/


Caravan Palace
The Regency Ballroom, 1300 Van Ness Ave.,
Here we go, let?s take the Caravan for another tour. Same Palace, with a brand new customized flavor. On the shelves and on the road. The surprise breakout band of the last decade, the apostles of Electro Swing and precursors of a laidback yet terribly upbeat trend, is coming up with an evocative second album: Panic! This time, Caravan Palace takes us even farther than their first album (that sold more than 150 000 copies) and continues an amazing adventure almost started by accident. Their strength lies in their common passion for electronic music. Charles, Arnaud and Hughes, the initial trio, dig swing, especially gypsy jazz, and try their hands at the genre?s traditional instruments: guitar, double bass and violin. That?s where this peculiar mixture of classical Django and new trendy electro comes from. And it?s far better than those retro futuristic sounds? because it swings. A few myspace posts later and they have almost doubled in size, enrolling Chapi and the boisterous Colotis in the band. They start touring long before they even think about releasing an album. And everything clicks in 2007, during the Django Reinhardt Festival in Samois. Terrified to be part of the gypsy jazz pantheon, they gather speed and steam and create a real posse (not unlike hip-hop) that follows them everywhere. The word is out, their breakout song, Jolie Coquine, is playing everywhere. The record is released a year later, and it?s an immediate hit. They soon tour France and Europe. The show peaks at the Olympia. The room is packed, people go crazy? listening to swing. This has never happened before. But during the autumn of 2010, they stop and take a month off to start thinking about the new album. How do they come up with new songs? Every member of the band works in his own musical lab before exchanging files at night. The same process starts over the next day. And when the others react instinctively, it?s generally a good sign. The basic rhythm of the first album has mutated into sophisticated beats, less gimmicky, more varied and enriched with sounds flirting with the frontiers of trip-hop. They still love Massive Attack, they still dig the creative minds of Ninja Tune, Isole?s minimal electro vibe or Gorillaz?s grand hip-hop rock bazaar. Only the best of the best. But they also rediscover thirties and forties swing jazz, artists like Fletcher Henderson, or the less mainstream musicians like Charlie Chavers and Mildred Bailey. Six months later, forty-something titles pile up. It?s time to regroup in the studio? where fifteen vintage keyboards are waiting. Tirelessly, the band tries new things, merges styles and makes creative decisions. Fourteen titles are soon emerging. The petulant voice of Colotis is booming again and the old friend Cyrille-Aime is back on two songs. And don?t forget to include Toustou in the Caravan. And now, here comes the list! Clash It opens up on a? fun and raging note! A surprising mix of up tempo swing with a bunch of hacked-up sounds, technologic and flirting with rock?s golden past, back in the day when it was called bop (let?s forget all those labels!). From the get go, this sounds like a huge leap forward from Caravan Palace?s first generation. June 12 th 3049 A ballad with a deliciously slow yet vivid tempo, samples from the grand old age, the vibraphone and the spiraling springs stretching out time. Given the title, we know we?re entering a new futuristic territory. Beatphone A frantic beat that takes its time, an amazing clash with a cascade of breaks to catch one?s breath, barely? before the beat starts again. Cotton heads A pop escapade showing the breadth of Caravan Palace?s new horizons. An ethereal tune, flirting with weightlessness, and branded with a twist of swing, rooted in the tempo and the impulsive keyboards. Dirty side Yes, dirty, the dark side of the Caravan, frantic and frenzied, chemical, destroy? Listen to this borderline sardonic voice coupled with the mocking piano. And the Lionel Hampton vibe from the vibraphone. Enough to upset any musical compass! Dramophone Dear God, the Andrew Sisters are back. With synthetic glitter. This one is coming from Cyril-Aime Daudel, a talent temporarily attached to the Caravan. This is clearly the song that bridges best the two albums. Glory of nelly A London promenade, another sweet escape from the Caravan, with a special song? eh, I beg your pardon? toast, from Sista Colotis. The unlikely and fleeting mix of swing and ragga, with a dominant background of brass and strings. Maniac A hint of Gorillaz, a drawling voice, a few touches of seventies synthesizer ( la Franois de Roubaix), a pinch of Django guitar, almost included by accident. Mix up and listen? Newbop Both new and bop. An acrobatic scat with a solid anchor, multiple breaks, like sturdy inviting steps. And don?t forget the boisterous guitar. Panic! ~AXS



7 months ago
Zoola Live Presents...
Friday, 18th October 2013
Jamm, 261 Brixton Road, Brixton, SW9 6LH
The 18th October will mark a year since Zoola Live was born onto the sticky lounge floor of a family mansion on the outskirts of London, during the mother of all house parties

They'll be celebrating this momentous occasion with another blow-out party at our venue but unlike most birthdays, they'll be the ones dishing out the beats and you'll be the ones feeling bruised the next day

Check out this line up below and get in early on tickets while you can!

The Line up:



'Contact' Drum & Bass And The Mutiny Presents A Very Special Night Of Electronic Dance Music Featuring - Q-Bik (austr
Lucky Dog Music Hall, 89 Green St.,
Lucky Dog Music Hall, Tue, Sep 24 9:00p

'Contact' Drum & Bass and The Mutiny presents a Very special night of Electronic Dance Music featuring - Q-Bik (Australia) | JSF of Tbma | Steve Marsden | Kate!Rush | & More SPECIAL Night! with 'Qbik touring from Australia! $10 Public Woo Card: Swipe for points today College Woo Card: Swipe for points today Contact is the brainchild of a few of the most seasoned and well known DJs and producers in the area, and they've decided Worcester needed a grown up night. Brought to you by FLEX.mgmt, Contact believes there's nothing better on earth than some good dnb and breaks, so that's what we've decided to do. Catering solely to the 21 crowd, you can be assured there are no silly antics here. No themes, or foam, or gimmicks. Just serious, heavy, grinding drum and bass, every single week. We've already got massive things planned and huge artists booked to come make your feet go from literally across the world. The Lucky Dog Music Hall, 89 Green St. Worcester, Ma 01604. All Shows are 21 unless otherwise noted.


Head on High Productions' One Year Anniversary Featuring Cloud D & Ratchet
Midtown Barfly, 1119 21st St.,
Midtown Barfly, Fri, Oct 25 10:00p

For 1 year on the Exact Day of this event Head On High Productions will be turning One Year OLD!!!We have partied with all of you at Several different clubs in Sacramento and have decided to place this Very Special event at Midtown Barfly and we plan on going all the way till 3am with the Goopiest Bass Music in Sacramento!!! We have been putting All Of Our Heart And Soul into providing Sacramento with some very new and fresh Dubstep/Glitch/Bass music and observing Alot of Great Talent from all over the Wes t Coast and have decided to bring back Some of our very favorite Heady talent from the past 12 months. :) Back in April 2013 this guy Tore Shenanigans In Half. The one and only Cloud D blew our minds open so far, we had to bring him back!!! This guy plays some of the freshest Original tracks we herd all year and want to share it with you again. :)This Special Event Will Be A Late One :) We Have Decide To Open The Doors At 9PM And Rage All The Way Till 3 Am So Make Sure You Get Your Party Face On Because Anniversaries Only Happen Once A Year! Everything Will Be Here, Live Visual Projection Lasers, Dancers, Amazing Hohp Drink Specials, A Double Headliner Event, Multiple Raffles For Free Art/Music, And A Whole Bunch Of Very Very Happy People! If You Have Not Met Me Yet, I Am George Galea And I Own The Licensed Company Head On High Productions And I Have Realy Realy Enjoyed Throwing These Events With You Guys Over The Last 12 Months :) Share This Once A Year Special Day With Everyone. We Have Been Putting Months Of Work Into It Just For You Guys :) *******Here Is Our Anniversary Lineup********** ^^^^^^^^^^hohp Main Stage^^^^^^^^^^ -Cloud-D https://soundcloud.com/cdmusic https://cloud-d.bandcamp.com/ Cloud-d is a self taught sound designer / bass scientist from Denver, Co. Cloud has been developing, innovating, and crafting his own unique style of bass music since 2008. Cloud-d is apart of the Mile High Sound Movement and Family Moons. -Ratchet https://soundcloud.com/ratchetmusic Andrew C (Aka Ratchet) was destined to make music. He has a prolific background in multiple musical instruments like drums, keyboard, alto sax, trombone and his family roots are firmly planted in funk music. His technical drive and appreciation for music were honed early on while he built subwoofer boxes for friends' cars. Ratchet later ran a custom stereo shop and got into it at SPL drag races, where burping your sound system was celebrated. In 2002, his technical and artistic talents converged again in the form of DJing the alternative side of bassmusic, like D&B and new schools breaks. The experience left Ratchet hungry for more and he started producing Idm in 2005. Since then he has been writing techy, bass-driven midtempo that ranges from sexy to silly, and sad to scary. Ratchet's current sound can be described as clean, dynamic and complex. At times his work seems mechanically precise; at others it feels driven by quiet white space and a wide range of emotion. It is in this way that each set takes the audience on a unique journey stemming from his technical drive, but it is always peppered with his polytonal melodies and pockets of warmth and love. He is sure to continue his fantastic musical voyage for years to come. -5TH Bar Drop https://soundcloud.com/5thbardrop -G.A.M.M.A. Vs. Atom One https://soundcloud.com/djgamma https://soundcloud.com/djatomone -G.A.M.M.A.: Djgamma.com / Stilldream.org / Midnite / Left Coast Techno Sacramento, Ca Born and raised in Northern California, G.A.M.M.A. (Aka Paul Plescov) burst onto the techno scene in 1997. Listening to many different styles of underground electronic music at a young age has made G.A.M.M.A.?s own musical style diverse, hypnotizing, and addictive. Spinning a continuous and flawless mix of techno, dubstep, breaks and house, has brought G.A.M.M.A. worldwide notoriety. Helping form the Stilldream Collective in the year 2000 proves G.A.M.M.A. is not just another DJ. This company in the last 12 years has thrown numerous parties / festivals, as well as brought to California ears the unrelenting and mind boggeling sounds of Tipper, Hybrid, Mark Farina, Bassbin Twins, Uberzone, 12th Planet, Doc Martin, Heavyweight Dub Champion, Medicine Drum, Myagi, Chris Liberator, Aaron Liberator, Julian Liberator, and Dustin Zahn. With a strong dedication to quality, Stilldream brings innovative music to everyone. 2011 brought G.A.M.M.A. to the forefront of the Northern California Electronic music scene opening for such acts as Tiesto, Steve Aoki, Porter Robinson, Borgore, Excision, Le CastleVania, Zeds Dead, Antiserum, Designer Drugs and Figure to name a few. Respected and revered by all, G.A.M.M.A. has had the privilege over the years to spin alongside such legends as Dave Ralph, Judge Jules, Uberzone, Bassbin Twins, Doc Martin, Dave Dresden, Bassnectar, Freq Nasty, Vibesquad, John Selway, Dj Dan, Dylan Rhymes, Misstress Barbara, Claude Von Stroke, Danny the WildChild, Donald Glaude, and D.A.V.E. The Drummer. With well over 500 parties/events to his name, (including Burning Man 03/04/05/06/08/09/10/11, Symbiosis Gathering 06, Give Thanks 2009, 2010 & 2011, Summer Love 2009 & 2010, Stay Up Forever, Memories as well as numerous residencies in California and Oregon) G.A.M.M.A. still makes each night seem like the first. His enthusiastic spirit and passion show in every performance. "Electronic Music is music in its truest form, it is innovative, intelligent and limitless and I see some of the most ground breaking productions and new ideas in that genre of music. I?m going to keep pushing the sound". That?s G.A.M.M.A. . . . pushing the sound, leading the way, and leaving an indelible mark on a musical landscape called techno. -Atom One: NationalEntity.com, MidniteEvents.com ? Sacramento, Ca Stage Presence. Being a DJ holds a title of having great track selection but also an exciting persona under the spot light. 1998. A friend of Atom, who was a SF club dj, introduced him to the world of mixing music. A year later he purchased equipment and began practicing. Atom O.N.E. has had 5 years of radio experience on KDVS 90.3fm at peak hours in Sacramento. Heading up National Entity Productions at full steam in 2006, he has created some of the memorable and largest events in the Sacramento, Bay Area, and Reno regions. Atom O.N.E. has been playing with DJ?s from across the globe for over a decade. Such artists include: Uberzone, Bassbin Twins, Designer Drugs, Christopher Lawerance, Richard Vision, Datsik, La Riots, Ak1200, and many more. All along these artists, his musical journey has taken him across the U.S. to cities and states such as: Colorado, New Jersey, Nevada, Los Angles, Eugene & Bend Oregon, and many more. In this time he has released five produced tracks on various labels. Having an elcectic musical taste, Atom One prefers to mix Electro Breaks, Dubstep, Drum & Bass, and Jungle. Not only being able to walk into any stage and execute a killer set, Atom O.N.E. is also a man whom name carries adoration and recognition far beyond the DJ mixer. For many years he has been organizing electronic dance music events under National Entity Productions that benefited established charities such as: Spca animal shelters, Sacramento Food Bank, Red Cross, and the Salvation Army. In 2008, Atom One has been declared the Production Manager for Northern California?s respected MidniteEvents.com and Stilldream.org. These two leading production companies have been providing the Northern California audience with top class world headliners and exceptional stage production. ?No matter what style of music, it all carries an indescribable feeling. An essence, a feeling of happiness and it drowns the world out around you. I can only be a messenger of these emotions as I express that when performing for a crowd.? As Atom One graces our listening ears with every performance, he brings forth an energy that the audience can not only hear, but our souls can feel. -Big Joe Daddy https://soundcloud.com/dj-big-joe-daddy Hi! My name is Joey Wisgirda. I also go by Big Joe Daddy. I live in the SF Bay Area, and make glitch-hop and dubstep. I play trumpet and a special wind controller ( Morrison Digital Trumpet www.digitaltrumpet.com.au/ ), live and in the studio,controlling Ableton, Reason, Kyma, Alchemy, and a host of other hardware and software instruments, especially physical modeling ones. It lets me, among other things, produce very realistic acoustic instrument sounds.I started out as an orchestral trumpet player, them switched to jazz, funk, and Salsa, then studied composition with John Tchicai ( Coltrane, Archie Shepp, etc. ) .... energy music! I've performed with bunches of folks ( Alton Ellis, John Tchicai, Karl Denson, Hamsa Lila, Mutaytor, Joe Craven, DJ Dragonfly, and many others .... ), and shared the stage with many more ( John Scofield, Bassnectar, Galactic, Ozomatli, Tipper, Kraddy, Beats Antique, Charlie Hunter, and many others as well ... ) Let me know if you like what I do! I teach electronic music production at the UC Davis Experimental College in Davis Ca. I also own a sound rig, all Bag End, about 30 Kwatts and a Gamble-EX56 Foh console ( all Grateful Dead technology - Owsley even helped design the crossover ). I'm also part of a Davis electronic music composer's group called the Chillage People : Spokenbird, Lazer Tooth, Dubzilla, Scrivvy, Oddjob, Henry Chatfield, Chester, Dissent, KOlectric, Urple Eeple, and Mia Lolita, Isotope, and Isturite !! -Crescendo www.whoiscrescendo.com Crescendo is a Sacramento born DJ with different styles & tastes of music with elite track selection and mixing professionalism. Whether in the club or in the underground realm, with over 14 years of dj-ing experience, Crescendo has learned how to keep the energy growing on the dance floor. He has shared the stage with artists such as SPL, Zeds Dead, Noah D, Truth, 6Blocc (R.A.W.), Dbridge, Ufo! and many others. He is not a genre specific performer, however. Versatility is one of Crescendo's greatest attributes. Digging deep into the genre playing fields of dubstep and drum & bass, he is also sought after for his talent and experience with the hip hop & club nightlife. Head On High Productions is very happy to bring Cloud D all the way out from Colorado again for you guys and couldn't be Happier with such a Bassfull line up like this! Get ready for the one and only everything we are about, Heady Bass Music! :) Much Love And Respect For Being So Positive About Everything We Have Been Bringing :) Much Love To Stilldream for helping us make this a Kick Ass 1 Year Anniversary! Like There Page: https://www.facebook.com/stilldream.festival *****$15.00 At The Door***** ******$10.00 Pre-Sales At****** http://headonhigh1year.eventbrite.com/



6 months ago
Ewan Hoozami
Saturday, 9th November 2013
Camino, The Regent Quarter, Kings Cross, N1 9AF
Bristol's mash-up king! 
Official remixes for the likes of The Dirty Dubsters, Telephunken, Pulpfusion, and free downloads that get downloaded in their thousands have cemented his reputation as an exciting new producer in the world of bass-heavy breaks

A member of Funk From The Trunk, "one of Bristol's finest DJ collectives", and an in-demand solo DJ, he is a vastly experienced DJ able to tear up any dancefloor… using lots of his own tracks, remixes, edits and mash-ups he seamlessly mixes an eclectic blend of hip-hop, funk, reggae, bass music and DnB that leaves his audiences gasping for more.


Munit & Jörg Live in NYC w/ DJ Sirak at Silvana, Fri, Jul 12 8:00p
Silvana, 300 W. 116th St.,
Silvana, Fri, Jul 12 8:00p

Munit & Jrg: Since August 2007, Munit Mesfin (Ethiopia) and J?rg Pfeil (Germany) have been creating a most energized blend of Ethiopian Acoustic Soul music with voice and guitar, singing, playing and telling stories in Amharic, English and no words at all. They take old songs and infuse them with new energy, and create new songs that reflect the things they see, their memories and their vision for a better world bringing a positive and uplifting vibration to their audiences! DJ SIRAK: Born in Addis Ababa, adds depth to the conversation by making Afro-beat a prominent influence in his style. As the co-founder of Africology, an entertainment venture that focuses on educating the world on music of African descent, his endeavors as a DJ help to break down the cultural barriers through the medium of music. Sirak matches the beats of artists like the Notorious B.I.G and dead prez to the up-tempo drums and breaks from his homeland. The fusion is his way of bridging the culture gap between the communities of the Americas and Africa. His sets not only spice up the dance floor, but also add heat to the debate over the origin of rhythm driven hip-hop beats.


DorkbotPDX 0x0c
, Instrument. 419 Northeast 10th Avenue, Portland, OR

DorkbotPDX 0x0c

Monday, August 26, 2013 from 811pm


Zach Archer

The Hypnolamp

Using LEDs and an Arduino, Zach converted a simple lamp into a hypnotic work of art. Knobs and sensors were added to control the animation and colors. Zach will reveal the HypnoLamp's secrets, and discuss the creative process, interactivity, and the coming revolution in home lighting.

Zach is a developer who focuses on interactive media and installations. He lives in Portland.

Drew McIntyre

The Art of Breaking Video: Observations, Insights & Instabilities.

Why stop at Speak n' Spells and Nintendos? Big Pauper employees an obscure arsenal of hand-modified electronics to sculpt multimedia installations, sound design & glitch visuals. Glitch video production will be the matter at hand this evening as Pauper shares the methods & the madness behind modifying video equipment, personal computers and video gaming hardware. Should be good fun!!

Big Pauper is a multimedia artist, producer & mad scientist of sorts living here in Portland, OR. He works as part of the circuit bent sound-art collective Folktek. He also breaks video gear for a living under the enterprise Big Pauper Modified Circuitry. He also just released a multimedia EP you should hear/view: http://www.djpz.com/unnecessary_human_enterprise_ep/


An open-mic session for those looking to show off a project, ask a question, solicit help, or incite collaboration. Please limit to 5 minutes.


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Wednesday, August 14, 2013 at 11:26pm and last updated

Wednesday, August 14, 2013 at 11:32pm.

San Francisco Summer Swing: JC Hopkins Biggish Band Featuring Svetlana Shmulyian (Voc) / DJ Adam / Swing Dancers / Loose
Make-Out Room, 3225 22nd St.,
Make-Out Room, Fri, Jul 12 7:00p

Swing Into Summer with JC Hopkins Biggish Band (Grammy nominated Hopkins writes "swinging material tailor made for vacuum-tube radio", New Yorker) featuring "energetic" (Wall Street Journal) "delightful" (Wrhu radio) vocalist Svetlana Shmulyian!!! Band plays original material written by the JC Hopkins, Svetlana and other band members - as well as several American Songbook jazz classics... Event Kicks off with Swing Lesson and Dance - and completes with the Make-Out-Room Loose Joints, all vinyl DJ afterparty (all Free with the price of admission) SCHEDULE : 7p - Free swing lesson by NYC DJ and dance teacher Adam Lee 730p - 930p - JC Hopkins Band Band breaks - DJ Adam Lee spinning swing tunes 10p - Loose Joints! An improvisational, all-vinyl DJ jam session that uses classic funk as its departure point and goes into Breaks/ Hip Hop/ Latin/ Afrobeat From the Boroughs to the Barrio! (Free With The Price Of Admission) Venue : Make-Out-Room is a gorgeous venue ("top 10 music venues in SF") with beautiful hard floors for dancing and ample space for listening and dancing JC Hopkins Band Grammy nominated JC Hopkins and his band explode with exuberant flair and swinging originality. The NYC based band has played host to such legendary vocalists like Norah Jones, Madeleine Peyroux and Elvis Costello and at such venues as Blue Note, Jazz at Lincoln Center, Irridium and others. The New York Times says of the band, ?Some of the finest musicians in New York City? and the New Yorker quips, ?Hopkins writes swinging material tailor made for vacuum-tube radio?. www.facebook.com/jchopkinsbiggishband SVETLANA Shmulyian The band features Svetlana Shmulyian (vox) who is a rising star of New York music scene with the sound that has at once tenderness, warmth, soulfulness and vulnerability, as well as unexpected edge and power of a seasoned vocalist (?Energetic? ? Wall Street Journal; ?Delightful? (Wrhu radio); ?Expressive voice, natural swing? (Radiorada, Fr), "We are hooked" O's Place Jazz Magazine) www.facebook.com/delanceyfive DJ Adam Lee - Adam Lee is a known NYC based swing DJ and swing dance teacher - presently on teaching / DJ tour of the West Coast, he will teach a swing dance and DJ in band breaks LOOSE Joints Make-Out-Room All Vinyl DJ Afterparty - Breaks/Hip Hop/Latin/Afrobeat From the Boroughs to the Barrio! Rare groove, funk, soul, hip-hop, afro-beat, latin and more! An improvisational, all-vinyl DJ jam session that uses classic funk as its departure point. Hitting a tuneful sweet spot neither too familiar nor too abstract, Loose Joints has one of the best brain-to-feet ratios in the city: music nerds will dance their tight glasses off, straight-up partiers will discover where all those groovy samples come from. http://makeoutroom.com/events/edisplay.php?id=5271



8 months ago
Hot Cakes + Official Stanton Sessions Boat Party Afters
Saturday, 24th August 2013
Jamm, 261 Brixton Road, Brixton, SW9 6LH
Deekline's Hot Cakes party comes correct with a firing end of summer party that's guaranteed to get the bassbins buzzing down at south London's underground mecca, Brixton Jamm

This one also doubles as the afterparty for the first ever Stanton Sessions Boat Party on the Thames

The highlight of the evening at this one will be an extended set from the Stanton Warriors, fresh from huge success with their latest Stanton Sessions mix album and the enormous singles MPC and Where's the Beef

Well into their second decade at the top, the London-based duo are currently experiencing a new lease of life, with their hedonistic 808 breakbeat flavours entrancing an entirely new generation of clubbers

As usual, Supatronix take over room one, with Hot Cakes head honchos Deekline & Ed Solo making a return to the Brixton Jamm main stage

Fresh from the impact of their latest album Bounce N Shake, as well as No 1 Beatport success for Deekline's solo Bass Cakes EP, the duo will be serving up their usual speaker-rocking melange of breakbeat, bass and jungle

Guaranteed party-starters, if you haven't caught them at Hot Cakes yet, it's time to get educated

Support in room one comes from Supatronix residents Jurassik, Se7en Deadly Breaks and Final Conflict

Holding down room two are Thames Valley-based crew AK Soundsystem, fresh from the success of their brilliant Naughty Cool boat parties, and with a rare set from breakbeat legend ED209 to boot

The Line up:
Room one: Supatronix

Stanton Warriors
Deekline & Ed Solo
Se7en Deadly Breaks
Final Conflict

Room two: AK Soundsystem

Miss Monument
Lella & N.E Coli


| Open Bar | Black Friday | Fixup Takeover | Arcmatix | Sam Supa |
F8 | 1192 Folsom, 1192 Folsom St.,
F8 | 1192 Folsom, Fri, Nov 29 9:00p

Take a break from your family reunions and k-mart splurge this upcoming Friday, November 29th at 1192 Folsom. We will be hosting a Fixup takeover featuring some of your local bay area favorites. And yes, there will be an open bar from 9-10 and yes it is Free w/RSVP! featuring: Arcmatix (Fixup) https://soundcloud.com/arcmatix "Arcmatix is Noah Ruiz, a.k.a. Siphon(BayArea Junglist), who resides in San Francisco, Ca DJing and producing music in genres ranging from, but not limited to, Techno, House & Bass music. The past has brought releases on Sony PlayStation and independent record labels." Sam Supa (Brap Dem) https://soundcloud.com/ssupa "San Francisco based DJ and Producer Sam Supa has been at the core of the West Coast Bass music scene for years and has been working behind the scenes for even longer. Supa plays 90 to 170 BPM music influenced by Drum & Bass, Punk, Metal, Soul, House, Dub, mashing into many other styles. Sam runs Brap Dem! Recordings a diverse bass music label, pushing Dubstep, Future Garage, Footwork, 2 Step and Grime and other forms of bass music and has released 128 to 140 BPM tracks for Hot N Heavy Recordings. A Bass Music Professional he has shared the stage with Flying Lotus, Benga, Crystal Castles, Skream, DJ Rashad, DJ Assault, DMZ, Plastician, Diplo, 12TH Planet, DJ Godfather. Currently he has a slot programming a weekly radio show on Electric Sound Stage a national app, web, hd, based radio station heard all over the country and has an Ep and remixes forthcoming." Psych Tyson (Fixup/Flush) https://soundcloud.com/fixup "San Francisco dj/producer Peter Gorman (aka Psych Tyson, aka Djspacer, aka Preep) has more than a decade of history in SF bass music, from DNB, 2step and breaks, to dubstep, bassline and Uk funky. As DJ Spacer, he played dnb, hiphop, 2step and breaks, and was responsible for the iconic series of proto-dubstep underground parties called Dubfarm. As Preep, he was 1/3 of the luminary dubstep dj/production trio called Blackheart, whose releases can be found on Brap Dem, Fullmelt, Filthy Digital, Bassism and Mallabel. His current incarnation, Psych Tyson, finds him producing and playing juke, bassline, uk funky and even moombahton, which he showcases at San Francisco's premier bass-music party Flush" Circls (Fixup) https://soundcloud.com/circlsismynameyes


The Glitch Mob
3rd May 2014
The Showbox, 1426 First Ave.,
?If our last album was introverted, then the new one is definitely extroverted,? Justin Boreta explains of one of 2014?s most anticipated electronic-music albums: The Glitch Mob?s Love Death Immortality, to be released February 11, 2014. Boreta represents one -third of The Glitch Mob?s core members, alongside Ed Ma (aka edIT) and Joshua Mayer (aka Ooah). Together, this supergroup trio of instrumentalist/producers have in Love Death Immortality created the ideal follow-up to The Glitch Mob?s 2010 debut full-length LP, Drink The Sea. That album proved the group?s breakout: Drink The Sea spent numerous weeks atop the iTunes? Electronic chart ? and still remains in its top 10, nearly three years since its release. Put out completely independently on the group?s own Glass Air imprint (which will also handle Love Death Immortality), Drink The Sea would go on to sell over 80,000 copies and counting. In the wake of the success of Drink The Sea and its 2011 follow-up EP We Can Make The World Stop, the group propelled to the upper echelon of dance-music touring acts. In addition to key spots on major-festival lineups spanning Coachella and Lollapalooza to Electric Daisy Carnival and Ultra, The Glitch Mob also headlined their own major tours across the U.S., Europe, and Australia ? selling out prestigious venues ranging from New York?s Terminal 5 to Colorado?s legendary Red Rocks Amphitheatre. It was that experience on the road that led to the bold, inviting approach infusing The Glitch Mob?s new material. ?Drink The Sea was a personal, introspective, headphone-listening experience, whereas we wanted our second album to be a record made to be played live,? Ma notes. ?After touring for two years, we learned what worked best on stage. It?s our same sensibility, but designed to bang on a festival sound system in front of 50,000 people.? ?We spent a couple years soaking up the fans? reaction to our live show, and Love Death Immortality is what came out of that,? Boreta adds. ?It?s not so much different as it is a sequel exploring new characters and narratives. Where Drink? was more our personal journey, this one is more inclusive and universal, telling the story of the collective Glitch Mob experience.? Indeed, that experience has found The Glitch Mob and its devoted, passionate fanbase moving from underground club parties like Los Angeles? famed Low End Theory alongside Flying Lotus and Nosaj Thing to stadiums and major festivals ? in the process becoming what Chris Martins of the LA Weekly called ?the act that undoubtedly found the largest audience of any L.A. beat scene artist yet.? Initially coming together in 2006, The Glitch Mob forged a unique sound transcending EDM trends and genres, ?pairing the richness and headiness of the best dance music with the head- nodding backbeats of hip-hop,? as The Los Angeles Times noted. After a series of acclaimed remixes and mixtapes (?Grab the Crush Mode mixtape?. One of the first things to really get my blood going,? raved New Yorker critic Sasha Frere-Jones), The Glitch Mob redefined their sound anew on Drink The Sea, merging live instruments, psychedelic textures, and expansive arrangements into an intimate yet epic widescreen vision. After that success ? which, in addition to sold-out shows and impressive album sales, resulted in ubiquitous song placements spanning GoPro Cameras to Captain America, and beyond ? The Glitch Mob went into artistic hibernation, occasionally emerging to experiment with new songs and styles on official remixes for the likes of Daft Punk, TV on the Radio, The Prodigy, and Bassnectar. Work on what would become Love Death Immortality began in earnest, however, during a month-long songwriting pilgrimage to Joshua Tree, California, where the group made field recordings of desert ambience and cranked out the blueprints for nearly 50 songs. ?In Joshua Tree, we wanted to explore new territory,? Boreta says. ?In the end, we sorted through all the sketches we?d done and rebooted our sound.? Despite its fresh approaches, Love Death Immortality remains pure Glitch Mob in its essence. That?s clear from the album?s first single, ?Can?t Kill Us? ? which combines loping, 75 bpm breakbeat crunch and a speaker-shredding bass throb with rock swagger. ??Can?t Kill Us? represents the classic Glitch Mob style,? Mayer says. ?Of all the new songs, it?s the connective tissue to our earlier material.? ?It?s the perfect bridge from our past to now,? Boreta adds. ?You can tell it?s still us, but it prepares you for what?s about to happen.? Other signature touches include the use of live instruments ? from the distorted guitar feedback that launches the album?s epic opening statement ?Mind of a Beast? (?Just pure attitude,? says Ma) to the floating Rhodes keys percolating through the coda of the soaring, cinematic ?Skytoucher.? ?Using real guitars, pianos, and horns humanizes things a bit,? Ma says. ?Texturally, it?s what makes what we do trademark Glitch Mob ? a nice juxtaposition to the face-melt aggression.? The signature instrumental motif of Love Death Immortality ultimately proves to be what Ma calls the ?glory lead?: bold, screaming synth lines that generate infectious hooks straightaway. ?The majority of the songs have this keyboard ? created melody right upfront in the mix,? Ma says. ?They create an element you want to hum and sing straight away.? Where Love Death Immortality really breaks ground, though, is its embrace from jump of rhythms and tempos new to the Glitch Mob sonic arsenal. As such, ?Mind of a Beast? erupts from a surprising 140 bpm drum-and-bass break into a slamming half ? beat grind. ?The song does a total 180,? Mayer says. ?Right off the bat, that strong contrast let?s the listener know not to get too comfortable.? Elsewhere, tracks like ?Skullclub? ? which Ma calls ?our ode to Daft Punk,? with its pulsing sidechained synths and vocoders ? and ?Carry The Sun,? experiment with 4/4 cadences; meanwhile, ?I Need My Memory Back? and ?Fly By Night Only? incorporate fully mirror-balled disco funk. ??Yacht Sex? was actually the working title for ?Fly By Night Only? ? that?s kind of the vibe,? laughs Boreta of the song featuring seductive vocals from upcoming artist Yaarrohs. ?We wanted to explore something a little more fun and soulful amidst all the serious intensity. Contrasting that with something more sexy keeps everything from going full testosterone.? That balance is clear from the album?s featured vocal collaborators, all of whom are female ? a decidedly purposeful choice. ?When the music gets really aggressive, that injection of female sensibility provides a crucial balance,? Ma says. ?Becoming Harmonious,? for example, flaunts the eerie tones of Bay Area avant-darkwave chanteuse Metal Mother. ?She?s got the whole weird, Oakland Goth-psych thing on lockdown,? Ma says. ?What she did on that song is both evil and angelic at the same time; it plays with your head.? Album closer ?Beauty of the Unhidden Heart,? meanwhile, forges connective tissue to the vintage downtempo feel of Drink The Sea favorite ?Between Two Points,? highlighting the dreamy, ethereal voice of Terra Lopez of Pitchfork favorites Sister Crayon. The most significant collaboration on Love Death Immortality, though, comes from Aja Volkman of L.A./Las Vegas rockers Nico Vega, who appears on both the alluring dancefloor filler ?I Need My Memory Back? and the driving uptempo anthem ?Our Demons? (for which she recorded initial vocals on the tour bus while Nico Vega was on the road opening for her husband Dan Reynolds? band, Imagine Dragons). ?Aja?s singing is so raw, gritty, and powerful,? says Ma. ?She doesn?t have a traditional EDM voice, which we loved.? In an era of disposable dance-music singles, Love Death Immortality is, like Drink The Sea, created with the intent to flow as an album ? one designed to be listened to from start to finish, taking the listener on an aural voyage in the process. However, it?s clear from the songs? dynamism that The Glitch Mob is itching to take Love Death Immortality to its natural home on the stage, in all its crowd-pleasing glory. That?s exactly what?s going to happen when The Glitch Mob kick off their biggest tour yet in March 2014: accompanied by massive production from Martin Phillips of Bionic League ? who?s developed staggering concert visuals for the likes of Daft Punk, Kanye West, and Deadmau5 ? expect the Mob to dominate festivals and large venues well throughout the new year. ?We?re taking a more hands-on approach to the live show this time around,? says Ma. ?The whole experience is going to be personally curated by us. We?re designing really cool video -interaction apps to integrate the experience, really letting the audience in on what we?re doing onstage.? That immersive approach ? combining massive technological scale with deeply emotive themes of redemption and triumph ? expresses the overriding Glitch Mob philosophy that permeates Love Death Immortality. ?It?s in the title ? everyone is touched by love and loss,? Boreta says. ?What we do is personal, but meant to be shared by our community. We want to take people somewhere else, beyond their everyday experience. People have written us to say how our music helped them get through the death of a loved one; a soldier in Afghanistan sent us an email saying he was considering suicide, but our music turned him around. That really touches us, and informs everything we do.? ?You know when you get a new Glitch Mob record, or go to one of our shows, it?s not going to be the standard fare,? Ma adds. ?You?re going to get transported to another world. We work hard to take the listener to a different place that?s all our own.? ~AXS



8 months ago
A Few Hundred Wronguns Must Make A Right!
Saturday, 31st August 2013
Jamm, 261 Brixton Road, Brixton, SW9 6LH
Two wronguns don't make a right, but what would a few hundred do?!

Back with a vengeance, RIGHT WRONGUNS are coming to Brixton, with a showcase of bass and dance music that will take the roof off the venue with the help of 2nd arena hosts ALAN & WONK#AY RECORDS

This night is guaranteed to be one of PURE AUDIO DEBAUCHERY!

All the Right Wrongun residents are out to play, supported by artists from the likes of FUNKATECH RECORDS, LIFE 4 LAND, BRAINDROP AND MUTANT BASS RECORDS, a selection of imprints that highlight just how special this party will be

Their previous events have delivered spot-on vibes with the right level of naughtiness alongside bright, unique, vibrant decoration and lighting & the freshest DJs, hand picked for bringing you the finest, filthiest sounds of new and old for your audible pleasure

On the night you can expect to hear the full spectrum of bass and dance music over both rooms from this crack squad of promoters, DJs and artists present

The Line up:











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